Clearly not willing to let the WGA win the PR war, the producers’ alliance issued another angry press release Monday that takes the writers’ guild to task in an effort to “set the record straight” about several union claims, including some made by negotiating chairman John Bowman to EW. Among the so-called “factually inaccurate” comments that the AMPTP attempted to correct: claims by the WGA that this negotiation is only about sharing the revenue from new media, i.e. Internet streaming. According to the four-page release, “negotiations broke down [Dec. 7] primarily over one of the most old-fashioned issues of all: the desire of the WGA’s organizers to increase their own power and prestige by expanding the jurisdiction of the union over reality TV and animation writers.” On Friday, the AMPTP told the WGA that it would “refuse to continue negotiating as long as the proposal to organize the reality and animation writers remained on the table.”
The AMPTP also took issue with comments made by Bowman, who told EW, “We could have gotten this done in two days if they’d come in wheeling and dealing, and they’re not.” According to the AMPTP letter, “the WGA’s organizers refused repeated requests by the producers to begin negotiations much earlier, in the spring of 2007. Had negotiations begun when the producers wanted them to start, perhaps the industry would not now be in the midst of this strike.”
The AMPTP also quarrels with Bowman’s remark to EW that the AMPTP “always give ultimatums. They say if you won’t do this we won’t talk to you anymore. Like the night before we went on strike [Nov. 4], they said, `Before you take DVDs off the table, we won’t give you an Internet proposal.’ And we took DVDs off the table [but] they didn’t give us [anything].” It’s the AMPTP’s contention that the producers never demanded that the writers pull its DVD proposal as a precondition to making an offer on Internet residuals. In fact, the AMPTP says, their actions proved otherwise when the companies presented the writers with a “new TV streaming residual proposal before the WGA withdrew its proposal to double DVD residuals.”
And the sniping continued with a direct swipe at WGA West President Patric Verrone, who had remarked to AP, “I don’t really feel like [the studios] are negotiating.” The AMPTP claims it’s Verrone who wasn’t even present at the session on Dec. 7, “because he was attending a rock concert and rally held to support the WGA’s still-unsuccessful attempt to organize reality TV writers.”
No doubt, a response from the WGA will be forthcoming.










Okay, would someone explain to me why reality and animation writers AREN’T in the guild? I’ve wonder since this strike took place why reality shows have continued (I’d didn’t realize animations were). I mean, though their work is far from riveting…a writer is a writer…regardless of genre…write? I mean, right?
I think the producers don’t want to give ground on the issue, despite the fact that the terms of the writers’ contact has not changed substantively for over two decades. The last time contracts were negotiated,a new medium was coming out, called VHS cassettes!! Hollywood didn’t want to pay writers enough for that technology either. If writers’ work contributes to DVD’s and Internet content, they should be compensated for it. And by that I don’t mean a $250 ONE-time payment, which is what the guild was just offered during negotiations!Currently, writers get about $2,000 each & every time an episode is rerun, which they co-wrote. The producers are offering one $250 TOTAL amount, even if that episode is run dozens of times over the life of the series. Stop being so cheap, Hollywood, and pay the writers what they deserve!
Its interesting to see all the actors show up for these strikes. When it comes down to it, the production companies are publicly held, so they have to maintain profit margins, which if any of you actually have stock you should be happy about. So in order to meet the Guilds requests the money will either come from the actors checks, or our dividends. The 2 groups of people who are rallying for support would be the ones footing the bill.
I think that when there’s a strike both sides should be required to talk every day and sit in front of each – not the pee-ons but the two decision-maikers. They should just have to sit and hopefully talk. What angers me most is that they are both focused on PR and not actually coming to an agreement. PLUS – I want the proposals given to the public to disseminate since they want to try the case in the public eye so there can be no spin or lies. That way, since we have to make up our minds about who’s right or wrong we can at least make informed decisions and put pressure on the right sides. I’m not convinced either side is doing the right thing at this point.
To respond to Shelley’s question about reality and animation writers, although I am not sure why animation is not part of the guild, there is an explanation for reality writers and why those shows continue to air. Basically, as most viewers know, reality television exploded onto the scene. From a production standpoint, it was extremely economical and a quantifiable cash cow, yet part of the profit for producers and studios alike is that it was never unionized (not writers, grips, drivers–no one is paid a unionized rate therefore the labor is much cheaper). The irony that reality tv necessitates writers aside, the guild members are now backtracking a bit to bring these reality tv writers into the guild. This also explains why reality television continues to be produced in the midst of the strike–it is entirely non-union and, despite perhaps working against some of the ultruistic ideals of the strike, certainly doesn’t violate any type of contract or agreement.
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