Archive: April 2008 (40-52 of 52)

Apr 7 2008 07:40 PM ET

'Project Runway' jumps from Bravo to Lifetime

Tags:

Runway_l
Lifetime announced today that it has picked up the hit Bravo series Project Runway and will begin airing the series’ sixth cycle, which debuts in November. In a statement, The Weinstein Co., which produces the show with executive producers Dan Cutforth and Jane Lipsitz of Magical Elves, announced that it entered a five-year deal for the show with Lifetime — a development that prompted legal action by NBC/Universal. In the same statement, the Weinstein Co. acknowledged that NBC filed a lawsuit today in New York Supreme Court in an attempt to block the series from moving to Lifetime. “We believe that this lawsuit is without merit. While good for the market for lawyers, it is always unfortunate when parties try to win in court what they have lost in the marketplace,” said David Boies, counsel to The Weinstein Co.

The NBC/Universal lawsuit asserts that the company had been negotiating with The Weinstein Co. for a year to obtain additional installments of Runway but the production company “never intended to negotiate in good faith.” It goes on to say, “Instead, The Weinstein Co. threatened to take future cycles of the program to a competing TV network unless [NBC] agreed to pay many millions of additional dollars to Weinstein to acquire a ‘package’ that included TV rights to second-tier Weinstein films unrelated to Runway.” The Weinstein Co. was contractually obligated to give the NBC-owned Bravo the right of first refusal when it got the offer from Lifetime, says the suit.

The Weinstein Co. has already begun pre-production of Runway‘s fifth season for Bravo, which is scheduled to air in June.

NBC released this statement today: “NBC Universal has continuing
legal rights related to Project Runway, including a right of first
refusal to future cycles of the series, which The Weinstein Company
unfortunately has refused to honor. NBC Universal regrettably had no
alternative but to bring legal action to enforce its rights to this
program, including the right to decide whether it is in the best
interest of the company to continue to air the show under the proposed
financial terms.”

One source familiar with the negotiations argues that Bravo was damaging the
Runway brand by airing too many repeats of the show and surrounding it
with copycat series like Top Design, Tim Gunn’s Guide to Style, and
Make Me A Supermodel. “It’s a phenomenon that needs to be
protected,” the source says. “Lifetime provided a substantial offer.
NBC chose not to provide a competitive bid.” That rerun marathon
strategy, however, is what made Runway a hit in its first season. When
Bravo began to heavily repeat the show, the fourth episode of the first
season broke the 1 million mark — and the series has continually grown
from there. In fact, the show’s fourth season finale last month — in
which the “fierce” Christian Siriano earned the top prize — attracted
a whopping 5.2 million total viewers, down slightly from the 5.4
million viewers who watched the season 3 finale. (Additional reporting by Missy Schwartz)

READ FULL STORY »

Apr 5 2008 02:05 AM ET

Jimmy Kimmel's 1,000th episode: Don Rickles, Sarah Silverman, Kid Rock join in the post-show festivities

Kimmel_l
After five years on the air, does Jimmy Kimmel Live have a chance at ever nabbing the 11:35 p.m. time slot? Thursday night was a test, of sorts: In honor of its 1,000th episode, the show expanded from an hour to 90 minutes, starting at 11:35. And the overnight results are looking good. According to ABC, overall viewership was up 20 percent from the show’s season average; among men 18-34, Kimmel actually tied Late Show With David Letterman.

But long before the numbers came in, Jimmy and pals were celebrating the TV milestone with a private post-show party (and lots of free Jameson Irish Whiskey) at the famed Hollywood Roosevelt hotel. Among those in attendance: Don Rickles, Adam Carolla, David Spade, Kid Rock (the evening’s musical guest), Johnny Knoxville, Rebecca Romijn, Paul Reubens, Carson Daly, Andy Milonakis, Dax Shepard, and comedian Doug Benson. Sarah Silverman, who took out a full-page ad in Variety on Thursday congratulating her boyfriend while posing with Matt Damon in tennis outfits, was also on hand to help blow out the candles. She’s been knee-deep in writing for the next season of the Sarah Silverman Program, she told us, which is scheduled to start shooting in two weeks. (Damon, sadly, could not make the party. He’s shooting a movie in Europe.) As for Kimmel, he’s riding high from residual love pouring in from all over Hollywood following the infamous Ben Affleck affair. Coming soon to his couch: ESPY host Justin Timberlake and Stone Temple Pilots, who’ll take over Kimmel’s outdoor stage for their first reunited TV appearance on May 1.   

Apr 5 2008 12:11 AM ET

The pregnant man: Will the Oprah sensation soon deliver a TV movie, too?

Tags:

Thomasbeatie_l Faster than you can say “Moment of Truth movie,” word has surfaced that a telefilm could be in the works about “the pregnant man,” Thomas Beatie. EW.com has learned that some networks, including Lifetime and one of the broadcast networks, have been shopped a project about about the 34-year-old Oregon man who was born a girl and decided to become a man a decade ago by taking testosterone and undergoing surgery to remove his breasts, according to published reports. Now married, Beatie was artifically inseminated and is now carrying a “healthy” baby. Beatie and his wife, Nancy, appeared on The Oprah Winfrey Show on April 3 and are featured in the current issue of People. So far, it’s not known whether any network has yet to purchase the rights. In fact, one network executive wasn’t quite sure how to react when she first got the pitch via her cell phone. Her reaction, according to a source: “What? Who’s pregnant?”

Apr 4 2008 11:02 PM ET

The SAG/AFTRA divorce: What went wrong, and what's next?

Tags:

Talk about a big week for union news. First, on March 29, the American Federation of Television and Radio Artists announced it would be ending its 27-year-old joint bargaining relationship with the Screen Actor’s Guild ahead of upcoming contract talks with the Alliance of Motion Picture and Television Producers (the current contracts expire June 30). Tensions between the two unions had been mounting over the past year, and just when it seemed like the two sides were making nice came the straw that broke the camel’s back: AFTRA’s claim that SAG was attempting to poach its Bold and the Beautiful actors. It’s unclear exactly how it all went down — historically, AFTRA has negotiated contracts for daytime dramas — but it’s safe to say that the bargaining partnership, known as Phase One, fell apart over a deep-seeded fight over jurisdiction.

SAG’s version of the story, as told to EW.com by SAG president Alan Rosenberg on April 31, puts the blame on AFTRA. “I really thought [AFTRA] would [at] the last minute find some flimsy excuse — which this Bold and the Beautiful thing is — to end this relationship," Rosenberg said. "And if it hadn’t happened now it would have happened a week or two into negotiations, I’m convinced. Their goal all along has been to be separated from us so they can compete with us. It was despicable.”

Meanwhile, AFTRA president Roberta Reardon has a different version of the story. “Actually, the Bold and the Beautiful event had significant impact, but really, it was the culmination of what we saw as a year-long campaign from the Screen Actor’s Guild Hollywood leadership to defame AFTRA," Reardon said. She added, "Frankly, I’m kind of surprised by the reaction from the Screen Actor’s Guild since it’s clear that for a year they were trying to get out of Phase One. So now, all of a sudden we’re the bad guys for saying, ‘You lied to us, we’re leaving.’ It’s been very disingenuous to say the least.”

Three days later after AFTRA said it was ending the joint bargaining arrangement, SAG announced that it would go into negotiations with producers on April 15. Given that SAG represents more of the actors affected by these contracts, no one was too surprised that they’d go first, and even Reardon was okay with that. “If the Screen Actor’s Guild [was] going to wait until mid-May then we were definitely going to go in ahead of them, but if they were going to pick up the challenge and go — great," she said. "I’m happy they’re doing it. That serves all actors.” Twenty-four hours after that, AFTRA said it would begin its talks on April 28.

Even though the directors and writers set a precedent of sorts by hammering out their deals earlier this year, there’s still unfinished business (such as DVD residuals) as well as some issues that will arise that are exclusive to the actors’ unions. Jonathan Handel, who has been following the union news with a microscope, has identified four key areas that will most likely be presented at the negotiation table. One is a new media deal. The second is the status of middle-class actors. “It’s not clear if that translates into wanting greater increases in minimums beyond the usual or if there are other areas that they’re looking to focus on,” Handel says. The third area is forced endorsements. There’s a difference between Kyra Sedgwick’s character on The Closer having a tube of lip gloss on her nightstand (product placement), and Sedgwick picking it up and saying, “This ‘Brandname Product’ lip gloss is the best there is” (forced endorsement).

The final issue is DVD residuals, which Handel says is “a nonstarter” for producers, and given that the directors didn’t push for it, “it’s just not going to happen” for the actors, he says. Rosenberg is also aware of the resistance the unions will face on that issue. “I’m sure we’re going to have a conversation about DVD residuals, which we know the employers are going to resist," he says. "The goal is to really address the issues in a profound way rather than put a Band Aid on something just because people are tired and weary from the writer’s strike.”

While it’s promising that talks are planned, Hollywood could still be in for a rough ride. SAG is meeting with the AMPTP only two and a half months before its contract is up — by comparison, the writers met with the producers three and a half months early, and look at where that got us. “The likelihood [of a strike] has certainly increased,” Handel says of the SAG-AFTRA split. If there is a strike, the current SAG and AFTRA contracts have no-strike clauses, which means they’re not allowed to walk off the job in solidarity. “We can walk a picket line and every person has First Amendment rights whether they’re going to cross a picket line,” says Reardon, “but we are contractually obligated to go to work under the contract that’s not struck.” In layman’s terms, if SAG went on strike, an AFTRA-rep’d show like Damages would stay in production.

And while the writer’s strike — a $2.5 billion blow to the industry — has been history for almost two months now, Jack Kyser, Los Angeles County Economic Development Corporation’s chief economist, says activity is not back to its usual level. “It is very, very tough out there," he says. "If you look at the January and February employment numbers for L.A. county, what you would see is that we’re down over the year in both January and February. And so if you had a SAG strike and people out of work again, that would put it on the edge of slipping into a recession.”

As for AFTRA and SAG, things are so tense that the Fall/Winter issue of AFTRA’s magazine used the Peloponnesian War as a metaphor to describe the tension between the two guilds, but Reardon remains  hopeful about an eventual resolution. “I got into this because I believe there should be one performer’s union and I still believe that," she said. "Certainly the trust has been severely damaged, but there are ways to rebuild that trust and we’ll have to see what happens.”

READ FULL STORY »

Apr 4 2008 03:17 PM ET

Don't look for Kristin Cavallari on 'The Hills'

Tags:

Kristincavallari_l Laguna Beach star Kristin Cavallari is done working the small screen, folks. EW.com caught up with the celebrity at the premiere of Keanu Reeves’ next movie, Street Kings, where she had plenty to say about her big-screen plans and nothing to report about the possibility of appearing on The Hills, despite rumors to the contrary. “I have been asked to come back by MTV a million times to be on The Hills or Laguna Beach or to do a different reality show, but I am not interested,” she says. “I am doing what I want to do so I don’t feel pressure to go back. I keep getting jobs. I feel like been there, done that. I did Laguna Beach for two years and had the best time. I feel like I need stuff that challenges me and another reality show won’t do that.”

So what’s Cavallari been up to? She recently starred in a new video for Gavin DeGraw, best known for crooning the One Tree Hill theme song. She also shot a short film that Entourage’s Kevin Connolly directed that… well, we’ll let her describe: “[It's made up of] nine different short films, and the whole thing is called Uncomfortable Moments. My short is called Dry Humping. It is about two high school kids, my boyfriend and I, who are dry humping when his dad comes home and catches us in the act. They are all really funny short, goofy films.”

Cavallari also is set to appear in a beach volleyball movie opposite David Charvet called Green Flash this summer. “That was definitely not a hard job to go to every day. And I am about to go to Canada to shoot a movie. I can’t talk about that yet, though. I’m having a good time!” — Reporting by Carrie Bell

Apr 3 2008 04:25 PM ET

'Smallville' creators call it quits

Tags:

Smallville creators/executive producers Alfred Gough and Miles Millar are leaving the young-Superman drama after seven seasons, though the CW will keep its longest-running and highest-rated drama on its viewership-challenged schedule next year. “We look back at 152 episodes,” Gough and Millar wrote in an open letter sent to media outlets this morning. “We look back knowing that the show will continue into season 8 without us. After much heartache and debate we have decided it is time for us to move on.” Here’s to hoping it goes better than the net’s Amy Sherman-Palladino-less final season of Gilmore Girls.

Apr 3 2008 01:14 AM ET

'Sin Tetas' headed to Telemundo?

Tags:

When Ben Silverman took the reins as co-chairman of NBC, one of the first projects he picked up was the Colombian telenovela Sin Tetas No Hay Paraiso (Without Breasts There is No Paradise). Since then, no word. So what gives? “We’re continuing to develop it,” Silverman told EW.com during the network’s lineup announcement in New York on Wednesday. “It’s very likely, actually, to go on Telemundo. Our script wasn’t quite ready. The stuff we like, we continue to grind until it’s ready for primetime. With Ugly Betty and with [NBC's new Aussie import] Kath and Kim, we did multiple scripts – years and years of development – prior to them reaching the air. [Sin Tetas]… it’s such a cocktail to make that thing right.”

Apr 2 2008 11:51 PM ET

NBC's new lineup: 'The Office' gets a spinoff; 'Friday Night Lights' and 'ER' return

Tags:

Slater_l NBC announced its fall lineup this afternoon in New York City. Highlights:

1. The long-rumored spinoff to The Office, will premiere after the 2009 Super Bowl.

2. Friday Night Lights will return for a third season as part of what NBC called a "unique" partnership with DirecTV. (Translation: NBC needs cash.) The satellite TV service has exclusive rights to FNL‘s 13 new episodes, which will begin airing October 1. Here’s the bad news: If you don’t have DirecTV, those eps won’t air on NBC until the spring.

3. ER will be back for its 15th, and final, season, and so will Noah Wyle.

The announcements were part of NBC’s new strategy to be “in front” of its competitors by presenting a “52-week super-season” of “quality programming” to advertisers and journalists in lieu of the usual May upfront extravaganza. Network co-chair Ben Silverman described the network’s slate as “inspirational, heroic, entertaining, escapist, engaging, real heroes and super heroes.” Time will tell. Here’s how the next year or so will shake out:

Returning Fall 2008
Chuck, The Biggest Loser: Families, Law & Order: SVU, Deal or No Deal, My Name is Earl, 30 Rock, The Office, ER, and Life. Heroes will premiere Sept. 15 as a three-hour special, and Lipstick Jungle is back, Silverman says, because "the women of America have spoken."

New Fall 2008
My Own Worst Enemy. Drama. Christian Slater (pictured) plays a guy with two personalities: one named Henry with a dry-toast life and Edward, a trained killer. Think “Jekyll & Hyde meets The Bourne Identity.” Silverman said he had to really push to land Slater for the role: “I took his mother out to lunch," he said.

Kath & Kim. Comedy. Molly Shannon and Selma Blair star as a brassy and dysfunctional mother-daughter living it up in suburbia. The show originated in Australia. “It’s part of our own trilogy," Silverman said. "Ugly Betty we found in Colombia; The Office we found in London." 

Knight Rider. Drama. Remake of ’80s series featuring a guy and his tricked-out car.

SNL Thursday Night Live. Comedy. To capitalize on the November presidential election, SNL will expand its “Weekend Update” coverage for three, live, half-hour shows, beginning Oct. 16.

New Winter 2009
The Philanthropist. Drama. About a renegade do-gooder.

The Office spinoff. Comedy. No details yet, but we hope it entails Dwight Shrute getting into fisticuffs with an assistant [to the] regional manager at another Dunder & Mifflin branch.

Merlin. Fantasy. Set in a 21st century Camelot. 

Kings. Drama. Starring Ian McShane (Deadwood), directed by Francis Lawrence (I Am Legend). Silverman calls it an exploration for the David vs. Goliath struggle. (We’re rooting for the little guy, right?) 

New Summer 2009
America’s Toughest Jobs. Reality. Self-explanatory.

Shark Taggers. Reality. Marine biologists tag sharks (duh) with transmitters.   

The Listener. Drama. A 24-year-old helps solve crimes by reading people’s minds. 

Chopping Block. Reality. Competition show from the producers of Hell’s Kitchen. Couples elbow their way to opening their own restaurant in Manhattan — if they can survive getting grilled by rock-star chef Marco Pierre White. 

READ FULL STORY »

Apr 2 2008 11:03 PM ET

AFTRA will enter talks with conglomerates on April 28

Tags:

Less than 24 hours after the Screen Actors Guild (SAG) announced it would begin negotiations with the Alliance of Motion Pictures and Television Producers (AMPTP) on April 15, the American Federation of Television and Radio Artists (AFTRA) said it will enter talks of its own with the conglomerates on April 28. The decision to schedule separate talks comes after a particularly ugly weekend of finger-pointing between the two unions, which led to AFTRA’s decision to effectively divorce SAG.

"The SAG leadership has now reversed its previous approach of postponing contract talks until the last minute, and last night publicly announced that they intend to start talks with the AMPTP on April 15," AFTRA National President Roberta Reardon said on Wednesday. "AFTRA has decided to let SAG go first because we feel it is in all of our interests for SAG to maintain its momentum and because we want to give the guild a reasonable opportunity to meet with the AMPTP.  In our view, our proposed schedule should allow SAG sufficient time to work out a good deal with the studios. At the same time, we cannot abdicate our responsibility to our own members to engage with the employers in a strong, deliberate, and timely manner so we can negotiate the best possible agreement for primetime performers."

SAG represents most actors; AFTRA reps daytime drama actors and a few primetime shows. Both unions had worked together for nearly three decades to carve out their TV and film contracts together. They will go at it separately now, raising concerns that a divided town of actors could make contract negotiations even sticker than a united one.


Apr 2 2008 01:34 PM ET

Velvet Revolver parts ways with singer; Scott Weiland responds

Tags: ,

Velvetrevolver_l
It wasn’t all that long ago that Velvet Revolver drummer Matt Sorum was praising Scott Weiland for taking the initiative to check himself into rehab, but little more than a month later, the band has announced that they are officially parting ways with the singer. "This band is all about its fans and its music and Scott Weiland isn’t 100 percent committed to either," said Slash in an announcement made on Tuesday. "Among other things, his increasingly erratic on-stage behavior and personal problems have forced us to move on." 

In a statement released to EW.com, Weiland responds by saying: "The truth of the matter is that the band had not
gotten along on multiple levels for some time…. I choose to look forward to the future and performing with a
group of friends I have known my entire life, people who have always had
my back. This also speaks to my commitment to my music and my fellow
band mates in [Stone Temple Pilots] and to the fans who I feel would much rather watch a
group of musicians who enjoy being together as opposed to a handful of
discontents who at one time used to call themselves a gang." (The entire statement available after the jump.)

So what happened?

Reports point to a show in Glasgow, Scotland, on March 20, where Weiland declared
that the current tour, which ended last night in the Netherlands
(Weiland did perform, according to a band rep), would be Velvet
Revolver’s last. What transpired next was a lot of bickering between
band members, some of it public, and one angry, accusatory statement from Weiland to blabbermouth.net,
denouncing the drama but promising to fulfill his frontman duties until
the bitter end. "Ego and jealousy can get the better of anyone,"
Weiland wrote. "I wish the best and plan to annihilate the stage in the
last few shows."

Of course, Weiland’s upcoming reunion tour
with Stone Temple Pilots, the band that made him a household name, may
also play a role in the split. One insider claims that Slash is "pissed
at all the media attention" STP is getting, while Velvet Revolver’s
latest record, Libertad, despite charting at Number 5 back in July 2007, has only seen modest sales (287,301 to date, compared to the band’s 2004 debut which has moved almost two million copies).

As EW.com first reported, Stone Temple Pilots’ are scheduled to kick
off their first tour in six years on May 17 at Columbus, Ohio’s Rock on
the Range festival. On April 7, the band will announce their full
summer itinerary at a private event held in Hollywood’s Houdini house,
where they’re also expected to perform.

SCOTT WEILAND STATEMENT:

After reading the comment by Duff, Matt, Dave and the illustrious
"GUITAR HERO," Saul Hudson, a.k.a Slash, I find it humorous that the so
called four "founding members" of Velvet Revolver, better known to
themselves as "the Project" before I officially named the band, would
decide to move on without me after I had already claimed the group dead
in the water on March 20 in Glasgow.  In response to Slash’s comment
regarding my commitment, I have to say it is a blatant and tired excuse
to cover up the truth.  The truth of the matter is that the band had not
gotten along on multiple levels for some time. On a musical level, there
were moments of joy, inspiration, fun… at times, but let’s not forget
the multiple trips to rehab every member of the band had taken (with the
exception of one member, no need to mention his name).  Personally
speaking, I choose to look forward to the future and performing with a
group of friends I have known my entire life, people who have always had
my back.  This also speaks to my commitment to my music and my fellow
band mates in STP and to the fans who I feel would much rather watch a
group of musicians who enjoy being together as opposed to a handful of
discontents who at one time used to call themselves a gang.

p.s. don’t be fooled by veiled trickery

p.p.s good hunting lads, I think Sebastian Bach would be a fantastic
choice.

READ FULL STORY »

Apr 2 2008 12:11 PM ET

David Cook gives Doxology its 'Idol' due -- we got the band's response

Doxology_l You didn’t have to pay extra-close attention to David Cook’s introduction on Tuesday night to hear him credit Doxology (pictured with Cook inset), the little-known Seattle band whose arrangement of “Eleanor Rigby” partly inspired his own performance — he made sure to say it loud and clear. But with this Idol shout-out, does Doxology feel vindicated? EW.com got singer Luke McPherson on the phone after the show, interrupting the band’s rehearsal for an upcoming Guitar Center opening (sorry, guys), to find out.

EW.COM: When you first reached out to Idol about this whole situation, were they responsive?
LUKE MCPHERSON: Very. Basically, we got in touch with the 19 Entertainment people and began a discussion on how we could resolve it and what measures could be taken to make sure that proper acknowledgment was given for the arrangement. We’ve been working through that for the past couple weeks and tonight was the resolution. But they were very supportive the whole time.

In your initial statement, you seemed kind of pissed. Was it because you heard that David did mention the band in his pre-taped interview but it ended up on the cutting room floor?
We were never able to confirm that, and if we came across as angry, that wasn’t our intention. None of us were ever really upset. We were concerned because, after the press release, they did start crediting Chris Cornell, Whitesnake, and other artists on a week-by-week basis and we felt like we were left in the dark. But eventually, they came around and ultimately took care of it.

Did you know ahead of time that you’d be getting a shout-out?
We had no idea. We found out after the East Coast feed aired. Our drummer’s family lives in New York so he got a call from his mommy to tell him. She was excited. We watched the show, too, and were thrilled when [Ryan] Seacrest asked David about where he got his arrangements, but when he gave Doxology our long-awaited props, we were ecstatic.

Has David Cook tried to get in touch?
Not yet, no. But I have to say, he’s a great performer. He’s really going out there and finding the coolest arrangements and is definitely one of the more interesting contestants that I’ve seen.

Have you noticed an immediate impact on your sales?
There’s been a lot of activity on myspace and people reaching out and showing their support. We haven’t really looked at sales — it takes two months to get the numbers from iTunes — but it was never about the money. It’s about a situation that needed to be made right.

So you feel vindicated?
For sure. I feel like we chose to raise a point and it’s been acknowledged.

Do you think you’ve set some sort of Idol precedent, where they’ll have to acknowledge future covers of covers?
I hope so. I can speak from experience, it takes a lot of thought and effort to go into someone else’s creation and try to make it your own. To do an original cover, a lot of people don’t understand how much work goes into that. It happened with Daughtry, but hopefully we made enough noise in saying that it’s only right to give credit where credit is due.

Did you ever try out for Idol or Next Great American Band?
We definitely talked about it for a couple seconds, but no. The funny thing is, we’ve been playing “Eleanor Rigby” for about year and a half, but it’s the only cover in our set. We’re an original band so it’s funny and surreal that this is what what people are picking up on.

READ FULL STORY »

Apr 1 2008 03:11 AM ET

Dolly Parton, in town for 'American Idol,' works '9 to 5'

Dolly_parton_american_idol_5 Dolly Parton is in Hollywood this week to show those American Idol kids how it’s done (watch for her on the show Wednesday night). But the most intriguing appearance she’s made during her time in L.A. these last few days was a brief concert at the House of Blues for a theatrical “group sales” event, where she was touting the wonders of an upcoming Broadway show, 9 to 5, for which she’s written a full song score. And let’s just get this out of the way now now: It’s a given that any new Broadway musical is a long shot, given how most of them lose money — and lots of it. But 9 to 5 on the Great White Way with this particular team has got to be the shortest long shot of all time.

Of course you know it’ll be based on the 1980 movie comedy in which Parton costarred with Jane Fonda and Lily Tomlin. Maybe you don’t know that it’ll be directed by Joe Mantello, the hottest helmer in New York, thanks to his triumph with Wicked. You’re probably not yet aware that it’ll star Allison Janney in the Tomlin role; Megan Hilty (currently doing a great Glinda in the L.A. cast of Wicked) in the Parton part; Stephanie J. Block (currently Elphaba in Wicked on Broadway) in the Fonda role; and one of the theater’s best-liked actors, Mark Kudisch, in the slot that was occupied by Dabney Coleman in the movie. The book is by Patricia Resnick, the frequent Robert Altman collaborator, who also wrote the 9 to 5 screenplay three decades ago.

EW.com spoke with Parton and Janney before they did their song-and-dance for the group buyers. (It’s safe to say that Dolly had them at hello, or at least at her trademark “It takes a lot of money to look this cheap” line, uttered as she asked them to empty their pocketbooks.) The show’s creators came to her more than three years ago to ask if she’d be interested in writing the music. “I’m not all that familiar with Broadway,” Parton said, “but I said I’d love to give it a try. I sat down and wrote for two weeks and came up with 30 songs. They really loved ‘em, and they’re keeping 85 percent of what I wrote.” Really? She came up with all the music for the show in two weeks? “I got a lot of snacks and went for it,” she assured us.

Parton said she had the easiest time getting inside the head of the character she originally played, natch — and it’s that “Doralee Rhodes” who gets to sing a tune called “Backwoods Barbie.” If that sounds familiar, it’s also the title track of Parton’s self-released new album. But don’t imagine an all-country score: “There’s several really commercial songs that could be pop or rock [hits], and I’m hoping to do some of them myself” on future recordings.

If you’re wondering how she’s feeling — remember, she recently postponed her tour because of back problems that she correlated to her famous front — she insists she’s fine. “I better be, because I’ve got my tour starting on the 22nd of April in Pittsburgh, and before that, the season opening of Dollywood April 11th and 12th. I just had some problems with my muscles that I had to work out for a few weeks before I could put on the tight clothes again.”

Janney, meanwhile, sang the 9 to 5 songs at a workshop this past summer, and she’s champing at the bit to start rehearsals in July for the show, which premieres at L.A.’s cavernous Ahmanson in September before moving on to Broadway next February. “I wanted to see if I felt confident,” said the star of The West Wing and Juno. “I like to sing, but I’ve not been in a musical in quite some time, and never on Broadway” (though she got a Tony nomination for her work in an — obviously — non-musical Arthur Miller play, A View from the Bridge). “I was in Hairspray, the movie, but I didn’t get to sing. I wanted to see how I felt before I committed, and I fell in love with it.”

So, the big question: Is Allison Janney a belter, and she just didn’t know it? “I totally am!” she said, straightening up in her seat with a big grin. “You are gonna hear me — and you’re gonna enjoy it.” Yes, ma’am! If she’s not totally jiving us with that confidence, maybe she’ll be coaching the contestants on Idol in a few years.

READ FULL STORY »

Apr 1 2008 12:12 AM ET

Nelly recruits Akon, Usher, Ciara for new album...and holds out hope for the Boss

Nelly is getting ready to roll out his fifth album, tentatively titled Brass Knuckles, on June 24. We caught up with the St. Louis rapper at the Nickelodeon Kids Choice Awards this past weekend, where he filled us in on some of the record’s featured guests, among them Fergie, Usher, Akon, and Ciara, who joins the three-time Grammy winner for a track called “Stepped on My Js.” “It is all about the Jordans,” Nelly told EW.com. “I sang about Air Force Ones and
you know what I did for grills, it’s along the same lines but
this is the best of all three. It is incredible.” Still, there’s one musician he’s dying to record with who hasn’t exactly come through…yet. “I’m trying to do something with the Boss, but Bruce Springsteen has been all over the world and busy,” Nelly said. “I have a great idea that would be hot. It still might happen. I’m holding out hope.” (Reporting by Carrie Bell)

Advertisement
  1. Tuesday, May 1
    1. The Biggest Loser NBC, 8-9PM
  2. Friday, May 4
    1. In Plain Sight USA, 10-11PM
  3. Sunday, May 6
    1. The Amazing Race CBS, 8-10PM
    2. GCB NBC, 10-11PM
  4. Monday, May 7
    1. Two Broke Girls CBS, 8-9PM
    2. Castle ABC, 10-11PM
  5. Tuesday, May 8
    1. Last Man Standing ABC, 8-8:30PM
    2. The Voice NBC, 8-10PM
    3. New Girl FOX, 9-9:31PM
    4. Unforgettable CBS, 10-11PM
  6. Wednesday, May 9
    1. CSI CBS, 10-11PM
  7. Thursday, May 10
    1. The Big Bang Theory CBS, 8-8:31PM
    2. The Vampire Diaries The CW, 8-9PM
    3. The Office NBC, 9-9:30PM
    4. The Secret Circle The CW, 9-10PM
    5. Parks and Recreation NBC, 9:30-10PM
  8. Friday, May 11
    1. The Finder FOX, 8-9PM
    2. Undercover Boss CBS, 8-9PM
    3. Fringe FOX, 9-10PM
    4. CSI: NY CBS, 9-10PM
    5. Blue Bloods CBS, 10-11PM
  9. Sunday, May 13
    1. Once Upon A Time ABC, 8-9PM
    2. Survivor: One World CBS, 8-10PM
    3. Desperate Housewives ABC, 9-11PM, SERIES FINALE
    4. American Dad FOX, 9:30-10PM
  10. Monday, May 14
    1. Bones FOX, 8-9PM
    2. How I Met Your Mother CBS, 8-9PM
    3. Gossip Girl The CW, 8-9PM
    4. Two and a Half Men CBS, 9-9:30PM
    5. Hart of Dixie The CW, 9-10PM
    6. Mike & Molly CBS, 9:30-10PM
    7. Hawaii Five-0 CBS, 10-11PM
    8. Smash NBC, 10-11PM
  11. Tuesday, May 15
    1. 90210 The CW, 8-9PM
    2. Cougar Town ABC, 8-9PM
    3. NCIS CBS, 8-9PM
    4. NCIS: Los Angeles CBS, 9-11PM
    5. Fashion Star NBC, 10-11PM
    6. Private Practice ABC, 10-11PM
  12. Wednesday, May 16
    1. Suburgatory ABC, 8:30-9PM
    2. Criminal Minds CBS, 9-11PM
  13. Thursday, May 17
    1. Missing ABC, 8-9PM
    2. Community NBC, 8-8:30PM, 9-10PM
    3. 30 Rock NBC, 8:30-9PM
    4. Rules of Engagement CBS, 8:30-9PM
    5. Awake NBC, 9-11PM
    6. Grey's Anatomy ABC, 9-10PM
    7. Person of Interest CBS, 9-10PM
    8. The Mentalist CBS, 10-11PM
    9. Scandal ABC, 10-11PM
  14. Friday, May 18
    1. Nikita The CW, 8-9PM
    2. Shark Tank ABC, 8-9PM
    3. Who Do You Think You Are NBC, 8-9PM
    4. Grimm NBC, 9-10PM
    5. Supernatural The CW, 9-10PM
  15. Saturday, May 19
    1. Saturday Night Live NBC, 11:29PM-1AM
  16. Sunday, May 20
    1. America's Funniest Home Videos ABC, 7-8PM
    2. The Cleveland Show FOX, 7:30-8PM
    3. Harry's Law NBC, 8-9PM
    4. The Simpsons FOX, 8-8:30PM
    5. Bob's Burgers FOX, 8:30-9PM
    6. Celebrity Apprentice NBC, 9-11PM
    7. Family Guy FOX, 9-10PM
  17. Monday, May 21
    1. Dancing With the Stars (Performance) ABC, 8-9PM
    2. House FOX, 8-10PM, SERIES FINALE
  18. Tuesday, May 22
    1. American Idol (Performance) FOX, 8-9PM
    2. Dancing With the Stars (Results) ABC, 9-11PM
    3. Glee FOX, 9-10PM
  19. Wednesday, May 23
    1. The Middle ABC, 8-8:30PM
    2. American Idol (Results) FOX, 8-10:07PM
    3. Modern Family ABC, 9-9:30PM
    4. Don't Trust the B— ABC, 9:30-10PM
    5. Revenge ABC, 10-11PM
    6. Law & Order: SVU NBC, 10-11PM
  20. Tuesday, May 29
    1. The L.A. Complex The CW, 9-10PM
  21. Wednesday, May 30
    1. America's Next Top Model: British Invasion The CW, 9-10PM
*Times are Eastern Daylight and subject to change

TV Recaps

Powered by WordPress.com VIP