Archive: April 2009 (79-91 of 98)

Apr 7 2009 08:24 PM ET

Ratings: 'Dancing With the Stars' rules Monday, as 'Surviving Surburbia' debuts well

ABC’S Dancing With the Stars won another Monday, with 19.6 million viewers, according to preliminary overnight ratings. The night also marked the premiere of Bob Saget’s new sitcom, Surviving Suburbia, which debuted to a nice 12.2 million pairs of eyes. Meanwhile, CBS scored the second-best numbers of the night with the NCAA basketball championship, which drew 16.3 million hoops fans during the 9-11 p.m. block. Over on Fox, Kal Penn’s final episode of House drew a healthy 13 million viewers. 

 
   
   
      

      

      

   

   

      

      

      

   

   

      

      

      

   

   

      

      

      

   

   

      

      

      

   

   

      

      

      

   

 

Time Show Viewers (in millions)
8pm Dancing With the Stars (ABC)
House (Fox)
Big Bang Theory (CBS)
Chuck (NBC)
Gossip Girl (The CW)
19.6
13.0
8.9 (repeat)
6.0
1.2 (repeat)
8:30pm How I Met Your Mother (CBS) 8.5
9pm NCAA Basketball (CBS)
24 (Fox)
Heroes (NBC)
One Tree Hill (The CW)
16.3
11.1
6.1
1.1 (repeat)
9:30pm Surviving Suburbia (ABC) 12.2
10pm Castle (ABC)
Medium (NBC)
9.3
7.2
Apr 7 2009 09:20 AM ET

'House' exclusive: The shocking story behind last night's big death

Categories: House

Kalpennhouse_l
DEFCON 1 spoiler alert! If you haven’t seen last night’s House, stop reading now. Everyone else, onward and downward!

Here are the six things you need to know up-front about last night’s House:

•    Yes, Kutner was the subject of my "suicide" blind item.
•    No, his death wasn’t a figment of House’s Vicodin-impaired imagination.
•    Yes, Kal Penn has left the show for good.
•    No, he wasn’t fired. He asked to go. (And man, wait ’till you find out where he’s going.)
•    Yes, this was the "cataclysmic" event that Hugh Laurie has been teasing all year.
•    Yes, the trio at the center of this grim turn of events — exec producers David Shore and Katie Jacobs, as well Kal Penn himself — spoke to me exclusively about the surprising story behind Penn’s exit, the decision to have the seemingly well-adjusted Kutner take his own life, and whether the tragedy will drive House-Cuddy and Cameron-Chase closer together or further apart…

Part I: Kal Penn

I understand it was your decision to leave House. True?
KAL PENN:
Yes. I was
incredibly honored a couple of months ago to get the opportunity to go
work in the White House. I got to know the President and some of the
staff during the campaign and had expressed interest in working there,
so I’m going to be the associate director in the White House office of
public liaison. They do outreach with the American public and with
different organizations. They’re basically the front door of the White
House. They take out all of the red tape that falls between the general
public and the White House. It’s similar to what I was doing on the
campaign.

Will you actually be working in the White House?
PENN:
This
particular office is in the executive building. The White House has two
buildings: the actual White House and an old Navy building called the
Old Executive Office.

Are you there as long as Obama’s in office?
PENN:
A lot of that stuff is up in the air. This is a relatively recent development.

Safe to say you’re taking a huge pay cut?
PENN:
Oh, yeah.
There’s not a lot of financial reward in these jobs. But, obviously, the
opportunity to serve in a capacity like this is an incredible honor.

How long has this been in the works?
PENN:
I’ve been thinking about [moving into politics] for a while. I love what I do
as an actor. I couldn’t love it more. But probably from the time I was
a kid, I really enjoyed that balance between the arts and public
service. I went to a performing arts high school, but I still took a
bunch of those dorky political science classes. It’s probably because
of the value system my grandparents instilled in me. They marched with
Gandhi in the Indian independence movement, and that was always in the
back of my head. So the past couple of years I thought about it a
little more. And in ’06 I started this international studies program at
Stanford, where they actually let you do most of the course work online.
So it was something I could do while I was acting. And I
thought this might be the right time to go off and do something else.
The ultimate irony, of course, is that I love being on House. There’s
not a smarter group of people that I’ve been surrounded by in
television. So I thought about it for a very long time before I went
and talked to David and Katie.

What was that conversation like?
PENN:
We had a very long discussion. And I remember David saying, "Are
you telling me that you’re unhappy with the show and that you want to leave
so you can go off and do a different show?" And I was like, "Not at
all. I’m actually saying the exact opposite, which is I’m having an
incredible time, but there’s something aching in me to do something
completely different and take a break from the acting thing for a
while." And with their blessing, we were able to work it out.

Are you retiring from acting?
PENN:
Not necessarily. Who’s to say where any path leads? I still have
a passion for it. But for the time being, I won’t be acting.

How did you react when you found out how they were writing Kutner out?
PENN:
One of the things I love about our show is you never know what’s
going to happen. So that news struck me in the same way we hope it
strikes the audience: there was a little bit of anger and some
depression. You really go through those emotions, especially when
somebody dies in that fashion. Ultimately, it was a really interesting
choice for them to make. We don’t really know why he did it, unless
it’s resolved in the episodes after [I left], which, of course, I’m not
privy to anymore. At least in [last night's] episode, we don’t really
know why he did it. There’s no note. There’s no explanation. And as a
testament to David and Katie, that’s a huge risk. ‘Cause it is going to
make people upset, and it is going to piss off some of the audience.
And, ultimately, in my opinion, that’s what art really is — when you
can conjure up those kinds of emotions. And it’s rare nowadays to be
able to do that on network television, but they managed to. 

Were you disappointed that you didn’t get to shoot the requisite good-bye scenes with your co-stars?
PENN:
From my selfish perspective, you want one last scene with Hugh,
you want one awesome bantering scene with Peter, you want
something where you and Olivia [Wilde] are doing a diagnostic together.
But I had known a couple weeks beforehand [that Kutner would just
abruptly commit suicide], so I was conscious in previous episodes of,
‘Okay, this is probably the last time I’m going to get to do a scene
with Peter, and this is the last time I’m going to be on screen with
Robert.’ And, of course, we’re all still really close friends, so I’ve
seen them a ton of times since I stopped shooting.

What were your emotions like on your last day?
PENN:
It’s always emotional when something incredible comes to an end.
The feeling would have been very different if I was not enjoying
myself, and if I didn’t love the job. But because I loved the job and
the character and the people I’m working with, I think bittersweet is
the probably the best way to describe it. The contrast of knowing that
I want to move on and do something completely different, with the
incredibly violent and incredibly depressing thing that happens to my
character… I think bittersweet is the only way to describe it.

Are you bummed you won’t be around to experience firsthand the fallout from Cuddy and House having sex?
PENN:
Do they really?

That’s the buzz.
PENN:
See, I didn’t even know that. If that’s the case, yeah, it’s a
bummer to not be involved in an episode like that. It’s the emotional
stuff that really gets the characters riled up, so if that’s actually
happening, it would be neat to see. [Pauses] Well, not see. To be part
of scenes like that. [Laughs]

Part II: David Shore and Katie Jacobs

When did you first learn Kal was thinking of leaving House?
DAVID SHORE:
It was very early in the process that he told us that he
might [at some point] want to move on and work in politics. He has been involved in a
number of other things [while working on House]. He worked very
extensively for the Obama campaign and he’s been teaching at Penn. Kal is a man with broader ambitions than the entertainment
industry. So he spoke to us and said, ‘I love the show and I love
working with these people, but there are things that I would like to
do.’ And you sort of think, ‘That’s admirable, but there’s no way he’s
going to do it.’ This is a good gig he’s got here.
KATIE JACOBS: As time went on, it was still on his mind. And then we
took a writers retreat right at the beginning of December and David
sort of had this "A-ha" moment about how to both free Kal up to pursue
other things and, most importantly, service where David
wants to go at the end of the season with House’s story.
SHORE: The fact that it happened over a long period of time allowed him
to pursue his goals as a human being, but also allowed us to make it
work within the confines of the show.

So why not just have Kutner take a new job at a different hospital?
SHORE:
The suicide was essential to [the story]. The lack of reason behind it –
the lack of answers — was what I responded to and is what I got
excited about. House, the man of answers, doesn’t have an answer about
this guy who he has worked with for two years.
JACOBS: And he didn’t see it coming. It gets under his skin. He is the
man who can’t rest until the puzzle is solved. So the idea that he
worked in such close proximity to Kutner and didn’t see it
coming [was an interesting story
to us].
SHORE: It makes him question the most important aspect of himself,
which is the ability to find answers. It’s the one thing about himself
that he feels good about.

If anyone on House’s team was going to kill him or herself, the
likelier candidate would have been Taub (Peter Jacobson). Were you
intentionally setting up a bait and switch?
SHORE:
A little bit. But also, oddly enough, we wanted it to be a
character who didn’t make sense — or didn’t superficially make sense.
Obviously, there are reasons, but the notion that the reasons are too
complicated for even House to figure out is what was drawing us to it.
I like the fact that Kutner is almost the least likely guy to do this.
And it gets down to the issue of, "Do we know anybody? You work with
somebody for two years, but do you really know them?"

There’s an opening on House’s team now. Will Chase or Cameron fill it?
SHORE:
No, there’s a different Chase-Cameron storyline coming up. We touch on it, but that’s not really where we go with it.
JACOBS: There’s fallout in every part of the hospital because of this. This will affect everybody.

Are you planning to fill the position?
SHORE: Not initially. It’s not going to happen this year.

There are rumors that Chase and Cameron may be getting married. Care to comment?
SHORE:
No. But [Kutner's death] does affect them as a couple. When
somebody close to you dies under any circumstances, you take stock of
your life and you want to go home and hug somebody. We worked hard to
let everyone react [to the tragedy] in a different way.

Does it bring Cuddy and House closer together?
SHORE:
The way House reacts ultimately brings House and Cuddy closer.

Any more cast changes looming this season?
JACOBS:
This is the only one you’ll see this season.

Okay, Ausholes: Take a few minutes to absorb everything you’ve read
before… alright, minute’s up — react away in the comments section! Oh, and be sure to check out the eleborate memorial shrine Fox has erected in Kutner’s honor.

More TV Scoop:
Is House breaking up Cameron and Chase?
Who’s tying the knot on Desperate Housewives?
Ken Tucker’s take on last night’s House

Apr 7 2009 01:01 AM ET

'House' spoiler alert: They did WHAT to WHO?!

Categories: House

****** ****ed ****e**!

Those East Coasters who have already seen tonight’s shocking episode of House should have no problem solving the above asterisk quiz and, in turn, reacting to it in the comments section below. Everyone else, what part of “steer the hell clear of the Internets altogether until you’ve seen the episode!” didn’t you understand? Sheesh.

Now, about those instructions I promised you re: tracking down the other half of the ****** ****ed ****e** story: Good news, you don’t have to go very far. You do, however, have to wait a while longer. You see, at 2:20 am EST (which is the precise moment our good friends in the Aloha State will discover that ****** ****ed ****e**) I’ll be posting exclusive interviews with exec producers David Shore and Katie Jacobs, as well as *** *e** himself, about this evening’s tragic twist. So tape your eyelids open, down a couple of sugar free Red Bulls, and meet me back here in a few hours.

Apr 6 2009 09:13 PM ET

ATV spoiler alert: 'House' duo splits! 'Desperate' questions popped! 'Gossip' scene sneaked!

The latest episode of Ausiello TV is here, and so are the bullet-pointed highlights:

* Blair makes a deal with the devil in the April 20 episode of Gossip Girl, and, for once, said devil is not Chuck. Then who? And is this the first sign of trouble for Blair and Nate? (Hint: yes!)

* Cameron and Chase are breaking up on House… but is there a twist?

* Will Desperate Housewives end the season with not one but two weddings?

* Will Annie ever return to ATV?

Answers await you below. Just press play. It’s that easy. 

Apr 6 2009 08:22 PM ET

An important message about tonight's 'House'

Categories: House

You saw the previews, so you know tonight’s episode of House is going to be big (or “beyond words,” as Fox is putting it). Well, you should also know that what happens on screen is only half the story. For instructions on when and where you can get the scoop on the other half, check back immediately following the ep’s closing credits at 9 pm/EST. And for all you folks living in other time zones? You know the drill — steer clear of the internets altogether until after you’ve watched the episode. C’mon, this isn’t your first time at the rodeo.

Apr 6 2009 06:34 PM ET

Ratings: ACM Awards raise the roof on Sunday

Categories: TV Biz, TV Ratings

The 44th Annual Academy of Country Music Awards gave CBS a ratings win Sunday night. The three-hour telecast averaged 14.8 million viewers — a 26 percent increase over last year, when it aired during May sweeps. Only NBC programmed a full night of original episodes opposite the country music event: Both Kings and Celebrity Apprentice dipped roughly 20 percent week-to-week, according to preliminary numbers. As for the rest of the weekend, CBS dominated that as well. The network averaged 13.9 million viewers on Saturday night with NCAA basketball and 7.8 million on Friday with repeats of Ghost Whisperer and Numb3rs and an original Flashpoint. Fox’s Terminator: The Sarah Connor Chronicles grabbed 3.4 million viewers leading up to next week’s possible series finale, while 3.5 million tuned in for another pivotal episode of Joss Whedon’s Dollhouse. NBC’s Friday Night Lights found a crowd of 3.6 million.

 
   
   
      

      

      

   

   

      

      

      

   

   

      

      

      

   

   

      

      

      

   

   

      

      

      

   

   

      

      

      

   

   

      

      

      

   

   

      

      

      

   

 

Time Show Viewers (in millions)
7 p.m. 60 Minutes (CBS)
America’s Funniest Home Videos (ABC)
Dateline (NBC)
American Dad (Fox)
Jericho (The CW)
12.0
7.0 (repeat)
5.0
2.6 (repeat)
.7 (repeat)
7:30 p.m. King of the Hill (Fox) 2.9 (repeat)
8 p.m. 44th Annual Academy of Country Music Awards (CBS)
Extreme Makeover: Home Edition (ABC)
The Simpsons (Fox)
Kings (NBC)
Movie: Rocky III (The CW)
14.8
7.1 (repeat)
6.4
3.6
1.1
8:30 p.m. Family Guy (Fox) 5.8 (repeat)
9 p.m. Celebrity Apprentice (NBC)
Family Guy (Fox)
Desperate Housewives (ABC)
7.0
6.3 (repeat)
5.6 (repeat)
9:30 p.m. The Simpsons (Fox) 5.6 (repeat)
10 p.m. Brothers & Sisters (ABC) 3.8 (repeat)

More TV News:
ACM Awards best and worst: McConaughey, McGraw, and…Jamie Foxx?
Exclusive: Tim McGraw pulls out of ACMs over production dispute
Whitney Pastorek’s ACM backstage live blog
Jean Bentley recaps Celebrity Apprentice
Dolly Parton on 60 Minutes: Hog wild with Morley Safer

Apr 3 2009 10:02 PM ET

Exclusive: NBC renews 'Law & Order: SVU'

Categories: Law & Order: SVU

Svu_l
NBC is staying in the chung-chung business.

The network has sealed a deal with producer Dick Wolf to bring Law & Order: SVU back for an 11th season, sources confirm to me exclusively.

But there’s a catch: The pact covers the show but not leads Chris Meloni and Mariska Hargitay, whose contracts expire in May. NBC is only now starting negotiations with both actors, and if history is any indication, it could be a tense, protracted affair.

Back in 2007, you’ll recall, shortly after the pair inked new two-year
deals worth more than $330,000 an episode, Meloni posted a terse
message on his personal website calling the talks “unpleasant to say
the least.” He added that “I’ll have much more to say about that when
my responsibilities to the show are done.”

My beloved Mariska, meanwhile, raised eyebrows last fall when she
seemed to suggest in an interview with Ladies’ Home Journal that she
was looking forward to life after SVU so she could spend more time with
her son, August. (At the time, a source close to the actress said her
comments were taken out of context.) Her recent health problems also
may factor into her decision to stay or go.

NBC declined to comment, but an SVU insider says the net is expected to make a formal
announcement about SVU‘s renewal early next week. Maybe
the net’s waiting until they have pickup deals in place with the other
two L&O‘s?

In any case, what are your thoughts on SVU‘s unofficial renewal? Could
you see the show going on without Chris and Mariska? (I can’t!) Sound
off below!

Apr 3 2009 09:20 PM ET

Showtime passes on Matthew Perry series; creator says HBO is interested

Categories: TV Biz

Matthew Perry and Peter Tolan thought they had a home for their new series, The End of Steve, at Showtime. Not anymore. Yesterday, Showtime passed on Steve, which is described in its logline as a “dark comedy about a bitter, egomaniacal daytime talk show host who seeks
to find some level of happiness and redemption in his personal life.” Tolan, the Rescue Me cocreator who exec produced Steve with Perry, confirmed the bad news to EW in an e-mail sent earlier today. “Yes, Showtime passed,” he wrote. “It’s a wonderful pilot and when I was told the news, I almost could not process it. After twenty years in television, you’d think I could see this sort of thing coming, but this time, I’m truly flummoxed. After an evening of licking my wounds, my overpowering lust for revenge kicked in (it’s really the only thing that keeps me going in the business), and I vowed that we would sell the project elsewhere — quickly. And I truly believe that will happen. The project is just that good.”

For Tolan, there is some good news. “Talks have already started with HBO,” he told EW.com. HBO, however, denies this. “We’re not in discussions with them,” says a rep for the cable network.

Apr 3 2009 07:02 PM ET

Ratings: 'ER' finale dominates Thursday

Categories: TV Ratings

The series finale of ER ruled Thursday night, bringing in more than 17 million viewers between 10 and 10:30 p.m., the show’s highest ratings in years. (Though still nowhere near its numbers during its ’90s heyday.) In the Motherhood and Samantha Who? both saw substantial drops this week, with Samantha falling all the way down to 4.8 million viewers — a major drop from its 10 million-plus watchers earlier this season (when it aired after Dancing With the Stars). Survivor‘s and Bones‘ numbers both dropped slightly, and CSI was down to 14 million from its season average of over 17 million.

 
   
      

      

      

   

   

      

      

      

   

   

      

      

      

   

   

      

      

      

   

   

      

      

      

   

 

Time Show Viewers (in millions)
8 p.m. Survivor (CBS)
ER Series Retrospective (NBC)
Bones (Fox)
In the Motherhood (ABC)
Smallville (The CW)
11.2
10.6
9.0
5.0
3.7
8:30 p.m. Samantha Who? (ABC) 4.8
9 p.m. ER (NBC)
CSI (CBS)
Hell’s Kitchen (Fox)
Grey’s Anatomy (ABC)
Supernatural (The CW)
16.2
14.4
7.0
4.9 (repeat)
3.3
10 p.m. Eleventh Hour (CBS)
Private Practice (ABC)
10.4
3.8 (repeat)
Apr 3 2009 06:02 PM ET

'24': Anil Kapoor of 'Slumdog Millionaire' to star in season 8

Categories: TV Biz

Anil Kapoor has been cast as a series regular in the forthcoming eighth season of 24. Kapoor — who played game show host Prem Kumar in Slumdog Millionaire — will star in the Fox drama as a Middle Eastern leader who’s on a peacemaking mission in America.

Apr 3 2009 04:39 PM ET

Jay Leno bumped in Boston: A serious break in NBC's dam?

Categories: TV Biz

NBC vows to stand its ground, and pull network affiliation, if necessary, if a Boston station insists on running a local newscast instead of the new Jay Leno show at 10 p.m. this fall, insiders say. WHDH-TV in Boston — the seventh largest market in the country and the hometown to both Leno and Conan O’Brien –  rocked the TV industry last night with word that it didn’t want to air a Monday-through-Friday program featuring the former Tonight Show host because "we don’t think the Leno show is going to be effective in prime time," station owner Ed Ansin told a Boston newspaper Thursday. "It will be detrimental to our 11 o’clock. It will be very adverse to our finances." Ansin reportedly asked NBC if he could run Leno at 11 p.m. but was denied. He also claims his contract with NBC allows him to choose to preempt Leno in the fall. (EW could not reach Ansin this morning.)

NBC reacted swiftly with a barrage of threats from both its station and legal honchos. "That is absolutely wrong [about the affiliation contract]," NBC Universal General Counsel Rick Cotton said via a statement. "It is clear that WHDH is contractually required to air NBC programming as scheduled by the network."

Another statement, from NBC TV Network president John Eck, added: "WHDH’s move is a flagrant violation of the terms of their contract. If they persist we will strip WHDH of its NBC affiliation. We have a number of other strong options in the Boston market, including using our existing broadcast license to launch an NBC owned and operated station."

The network has already looked into turning its Boston Telemundo station, WNEU, into an NBC affiliate. But WNEU doesn’t have the same kind of reach as WHDH, which is the largest independently owned and operated NBC affiliate in the country. For now, it appears Ansin is not bowing to threats and will proceed without Leno in the fall (his plans are to run local news from 10-11:30 p.m. as a lead-in to O’Brien). The station’s ratings for its 11 p.m. newscast have dropped in recent years and "we are already suffering from weak lead-ins [from network programming]," Ansin told the Boston Globe.

Insiders at competing networks all agreed that NBC can’t give in to WHDH or it’ll risk triggering "an avalanche" with its other affiliates. "If you allow a station to air Leno out of pattern [at 11], it’ll open the floodgates," says one-high level suit at a competing Big Four network. "They have to act quickly. You have to believe that some other station will call up and say, ‘You know what? We’re doing it, too.’"

NBC does have other options, though they seem remote. The network could provide WHDH with financial incentives to keep Leno at 10, but again, that could snowball into an issue with other stations as well. It could also try to peddle the Leno show to the CBS-operated WSBK, an independent station in the market. Flipping the Telemundo station into a new NBC affiliate seems more likely — even if the network risks the ire of Hispanic viewers (in response, NBC could keep some Spanish-language programming on the station).

But transferring affiliations in Boston may not be as easy as it sounds. The CW had its work cut out for it when it merged the UPN and WB networks a few years back. "It is really hard to convert an audience to a network," says another high-ranking exec. "It takes time. Even if NBC does find another station, it may pale in comparison."

It’s unclear at this time whether Leno himself will appeal to the WHDH station owner, though he’ll certainly be in shouting distance soon to try; an NBC insider says the late-night host is expected to make an appearance in Boston Monday to help out a local comedian. In the meantime, it appears no other NBC stations are following WHDH’s lead.

Apr 2 2009 09:20 PM ET

'Heroes' star Hayden Panettiere: Is a producing career in her future?

Categories: TV Biz

Hayden Panettiere (Heroes) may be looking to expand her horizons beyond acting. Word is she is pitching a TV college drama around town that focuses on a female athlete who plays tennis. Though Panettiere is not looking to star, her timing is good: It has been a while since one of the broadcast networks aired a college-based drama that was worth watching (we miss you, Felicity, but not you, The Bedford Diaries). Panettiere, who is expected to return for another season of Heroes in the fall, is set to costar in the movie I Love You, Beth Cooper this summer.

Apr 2 2009 06:38 PM ET

Ratings: 'American Idol' wins Wednesday, 'I Get That a Lot' takes its time slot

Fox’s American Idol results show dominated Wednesday night as usual, but good news for NBC’s Life, which aired in the same time slot as Idol: Total viewership was up 22 percent from last week. ABC’s Better Off Ted
also has reason to celebrate, as viewership was up slightly from last
week; that’s terrific news for a new series, and especially a new
sitcom. CBS’ celebrities-undercover April Fool’s Day special, I Get That a Lot, won the 8-9 p.m. hour, pushing Fox’s Lie To Me to its lowest ratings all season. The CW’s America’s Next Top Model gained back the million viewers it had lost last week (likely thanks to last week’s Idol performance night occurring on Wednesday instead of Tuesday). The series finale of ABC’s recently canceled Life on Mars drew in about a half million more pairs of eyes than it had over the last few weeks. R.I.P., Michael Imperioli’s ‘stache.

 
   
   
      

      

      

   

   

      

      

      

   

   

      

      

      

   

   

      

      

      

   

   

      

      

      

   

 

Time Show Viewers (in millions)
8:00 p.m. I Get That a Lot (CBS)
Lie To Me (Fox)
Law & Order: Criminal Intent (NBC)
Scrubs (ABC)
America’s Next Top Model (The CW)
10.3
9.0
5.1 (repeat)
4.9
3.9
8:30 Better Off Ted (ABC) 4.7
9:00 American Idol (Fox)
Criminal Minds (CBS)
Lost (ABC)
Life (NBC)
90210 (The CW)
23.7
10.0 (repeat)
9.3
5.6
1.2 (repeat)
10:00 CSI: NY (CBS)
Law & Order (NBC)
Life On Mars (ABC)
10.0 (repeat)
6.3 (repeat)
5.9

.

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