Image Credit: Brian Bowen Smith/FoxBones returns Jan. 20 with its first new episode of the year, and there’s one thing you can count on: Brennan’s long-awaited confession of her feelings for Booth in the December cliffhanger will be addressed immediately, like in the second scene when Booth tells Sweets about it. The fallout from Brennan opening Pandora’s box again will be a major focus of the second half of the season, executive producer Stephen Nathan says. “We’re dealing with how does this make Brennan feel, how does she move forward, what is the pain that she now carries with her after this confession and how does it affect Booth and Hannah. Does Booth keep that conversation a secret from Hannah? That wouldn’t make their relationship very solid. If he does tell Hannah, how does that make her feel, and what does that do with her relationship with Brennan?” Brennan will try to compartmentalize her feelings, as she’s always done, but she won’t be as successful, he says. And a lot of this will be dealt with in the much-anticipated episode in which Booth (David Boreanaz) and Brennan (Emily Deschanel) get stuck alone together in an elevator. READ FULL STORY »
Archive: January 2011 (196-208 of 323)
'Bones': Details on the Booth-and-Brennan-are-stuck-in-an-elevator episode -- EXCLUSIVE
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'Buffy' writers to pen Syfy's Brit hit -- EXCLUSIVE
Jane Espenson and Drew Z. Greenberg are going to write Syfy’s pilot-in-development Randall and Hopkirk (Deceased) — based on the classic British TV show.
Espenson and Greenberg have plenty of Geek TV cred, with Espenson having written for Battlestar Galactica and Dollhouse and Greenberg having worked on Dexter and Warehouse 13. Oh, and both wrote for a little show called Buffy the Vampire Slayer.
For those who haven’t heard of this quirky-titled project, Randall and Hopkirk (Deceased) is about a detective who’s murdered while investigating a case. He returns as a ghost, visible only to his former partner, and helps him solve crimes from beyond the grave. READ FULL STORY »
'Vampire Diaries': Sara Canning talks Aunt Jenna's future, Uncle John's return, and Elijah sticking around -- EXCLUSIVE
Image Credit: Quantrell Colbert/The CWSeason 2 of The Vampire Diaries has brought more action for Michael Trevino (Tyler) and Candice Accola (Caroline). Could it be Sara Canning’s turn next? The actress who plays Jenna, Elena and Jeremy’s aunt, says a significant storyline is on the horizon for the character. Will it involve her finally finding out that vampires, werewolves, and witches have been in her house? Okay, that she still can’t say. “Truthfully, I have no idea,” she admits. “I’ve gotten that feeling before and it hasn’t come to fruition. They say, ‘It could happen in two episodes, or it could happen in two seasons.” (That, we can confirm: Exec producers Kevin Williamson and Julie Plec will tell you they change their minds about when Jenna and Zach Roerig’s Matt will finally join The Knowing on a week-to-week basis. Do Canning and Roerig have a bet on who finds out first? No, she says. “But we were thinking of making T-shirts that said Team Oblivious Human. I think Zach and I have the same attitude in that we think it’s pretty cool that we’re two of the only characters left that don’t know. There’s still a huge question mark on how our characters will find out and how their lives will be changed, and we still get to have the fun of playing that when a lot of the cast has already gone through that.”) READ FULL STORY »
Fox picks up 'I Hate My Teenage Daughter'
Another day, another comedy sold to a broadcast network with a head-turning title.
Fox just ordered a half-hour pilot called I Hate My Teenager Daughter.
The story is about two women who were tormented by mean girls when they were younger, and are now appalled to realize their daughters are turning into the same type of girls they never liked. The multi-camera comedy is from Warner Bros., with Sherry Bilsing-Graham and Ellen Kreamer (New Adventures of Old Christine) producing/writing.
Alfred Molina now a detective on 'Law & Order: LA'
Image Credit: Mike Coppola/WireImageWho’s going to replace Skeet Ulrich’s detective on NBC’s Law & Order: Los Angeles?
Alfred Molina — even though he’s already on the show playing a district attorney.
Here’s how that’s going to work: READ FULL STORY »
Showtime docuseries starring...the S.F. Giants? EXCLUSIVE
Image Credit: Ronald Martinez/Getty Images; Tatiana Beller/PR PhotosIs Showtime looking to steal a page from the HBO playbook and air its own Hard Knocks-type series? EW has learned that Showtime is in early talks with producer Mike Tollin to do a docuseries that focuses on the San Francisco Giants. Tollin’s an obvious choice to oversee the project, given his previous work on Bonds on Bonds, the 2006 docuseries for ESPN that followed the Giants outfielder through spring training and the baseball season. (Tollin’s got plenty of sports movies under his belt, too, like Varsity Blues, Coach Carter, Hardball, and the under-appreciated Summer Catch. And, let’s not forget his work on Smallville and One Tree Hill, too!).
HBO’s Hard Knocks debuted in 2001 as the first-ever sports reality series that goes behind-the-scenes with a pro football team. It launched with the Baltimore Ravens; the most recent addition focused on the New York Jets. The docuseries, on average, lured 4.6 million viewers for each episode.
'One Life to Live' exec producer Frank Valentini staying at the helm -- EXCLUSIVE interview
Photo credit: JPI Studios
When so much of the news about soaps these days has to do with endings, One Life to Live executive producer Frank Valentini’s story seems to give hope to the genre. Valentini, 48, has spent all of his 25-year television career at OLTL, working his way up from assistant to the executive producer, and recently re-upped for another two-year stint as showrunner. READ FULL STORY »
Showtime passes on 'The Kennedys'
Image Credit: Splash NewsWell, that’s that: Showtime has apparently decided not to buy The Kennedys, the eight-part miniseries-cum-hot potato that was dropped by The History Channel last week. Now it’s anyone’s guess where the movie from the Canadian-based Muse Entertainment ends up, though an exec told the New York Times that “there has been interest expressed by several networks.” Gee, wonder who? READ FULL STORY »
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