In our fall TV preview, we broke down each day into what to watch live and what to DVR. Here’s your Fall Sunday night game plan:
Category: News (105-117 of 8027)
Ahead of CSI‘s Sept. 28 season premiere (10 p.m. ET on CBS), Ted Danson joined EW’s Kyle Anderson for a SiriusXM Town Hall to talk about his lengthy career. Listen to two highlights below.
In the first clip, after an audience member asks him about being mocked on Seinfeld (he has neither as much money as George Costanza thought he had, nor a plane), Danson reveals the secret to comedy: “I’ve discovered that you don’t have to be the one telling the joke. As long as you’re in the room with funny, you get credit for funny,” he says. Thinking back to taping Cheers with multiple cameras in front of a live audience, which meant actors had to stay alive even when they weren’t the focus of a scene, he explains, “So you have a very funny joke, right. All of the sudden, you’d notice everybody in the cast is crossing behind you just at the right moment of the funny—so they were part of a very funny joke, they were part of that shot. If you had a dumb joke, it was like tumbleweeds. You couldn’t find anyone. All of the sudden, they’d all duck behind the bar to pick something up, or run off someplace else. You would be all by yourself with your non-funny joke.” (He goes on to reminisce about Cheers costar Woody Harrelson insisting he come to the premiere of his film Doc Hollywood, which includes a joke about Danson, and how he got him back in the film Ted.)
In the second clip, Danson admits that walking through airports is how an actor knows where they are career-wise. “Here’s my motto: Keep working. Because otherwise what happens is, somebody will have watched a rerun of Sam Malone when I’m 34 to 44, and then they’ll see me on the street now and go, ‘Geez, you look like s–t,’” he says. “But if you keep working, people realize, ‘Oh, no, that’s alright. I saw CSI. Alright, I get it. He’s aging.’” READ FULL STORY
In our fall TV preview, we broke down each day into what to watch live and what to DVR. Here’s your fall Sunday-night game plan:
'How to Get Away With Murder' premiere: Who killed [SPOILER]? Creator Pete Nowalk talks all the twists!
[SPOILER ALERT IF YOU HAVEN’T WATCHED THE PREMIERE OF HOW TO GET AWAY WITH MURDER!!!]
One of the most anticipated new series of the fall, the Shonda Rhimes-produced How to Get Away With Murder, delivered a rollercoaster of a premiere that included the reveal of two dead bodies: Sam, (Tom Verica), the husband of Annalise Keating (Viola Davis), and Lila, one of Sam’s students. Who are the killer(s)? When will the mystery be solved? What would a season two of HTGAWM look like? EW sat down with the series’ creator Pete Nowalk and grilled him for answers!
ENTERTAINMENT WEEKLY: There are two dead bodies revealed in the premiere—Annalise’s husband Sam and his student Lila. Will we find out their killers by the end of the first season? Or is this going to be like The Killing?
PETE NOWALK: By the end of the first season you’ll find out who killed both of those people and why. Obviously we’ve all learned a lot of lessons from The Killing. You have to move story along faster. It gives you a huge challenge for season two but you just figure it out and that’s the fun part.
I want to people to know and by the end of the second ep this will become more clear but the one body leads to the second body. Lila’s body will lead to Sam’s body.
What can you tease about the season?
I will say this: I think the central relationship of the show in this weird way is Wes and Annalise. I think the first season will be about the education of both of them and each of them teaching each other things that are surprising to each of them. The teacher learns from the students.
It sounds like no one is who they seem.
Yes. I think it’s just the way you meet them in life. Yeah I want it to be an engaged viewing experience, like we show our masks but when we go home there’s a different thing under the mask. If people are like, “Oh Michaela is sort of type A and an overachiever, there’s more to that than meets the eye.”
Is it possible some of these characters will die?
That’s always possible. But we have a dead body—we have two actually. It’s about figuring out how those people died.
This is something you should know: the first few episodes we’re gonna focus on the students. We’ll learn more about each of the students.
Will every episode have a flash forward to the night of Sam’s death?
It’s kind of just like the pilot. But yeah we keep going and we tell a story over the course of the night. We’ll find out things that we thought seemed one way that actually were another way.
Will the flash forwards and the present catch up at the very end of the season?
Right now it’s going to catch up before then because I think there’s a lot of interest how that happened. But also what happens after.
We don’t know where Annalise or Frank or bonnie were on the night of murder.
Right. We’ll find out. Eventually you’ll see every character in the flash-forward.
Do you know what season two would be?
Yeah. But in order for me to tell you that you would need to know a lot of what happens. The great thing about what happens to these kids and Annalise is that’s something that changes you for life so there’s ripple effects that can give us seasons and seasons.
So it’s not a series that will reboot completely, like True Detective or American Horror Story?
So season two would involve…
Annalise. I’ll tell you that because who would kill off Viola Davis?
After a status quo shift in the season 3 finale, Homeland returns for its fourth season on Sunday, Oct. 5 at 9 p.m. Carrie, Saul, and Quinn all look to be moving on from last season. Life hasn’t settled down, however, as season 4 looks to put all three of them in harm’s way yet again.
But did they succeed last year, and at what cost was any of their success? Remind yourself of how things ended with our 60-second refresher:
In the Sept. 23 episode of Sons of Anarchy, “Playing with Monsters,” Juice (Theo Rossi) used Unser (Dayton Callie) to get Chibs (Tommy Flanagan) alone to ask him if there was anything he could do to earn his way back into SAMCRO. Chibs’ response was brutal: “If I were you, I’d get that gun, put it in my mouth, and pull the trigger.” Rossi and Flanagan talked to EW separately about the moment that Rossi says is a game-changer for Juice. READ FULL STORY
No matter how dark things get on FX’s Sons of Anarchy, just remember that Venus Van Dam is on the way. The transgender escort played by Justified‘s Walton Goggins makes her return in the Sept. 30 episode when SAMCRO, in need of information, pays her a visit. As fans know, the cast lights up any time her name is mentioned, and Goggins feels that each time he steps on set.
“I really do, and it’s weird. Because I personally, Walton Goggins, don’t feel that—I feel it as Venus,” he says. “Venus feels it and recipocates that with her boys—all the guys on the show. She just considers them brothers, like seeing family that she hasn’t seen in a while. They’re so kind and so gentle to Venus. It’s so refreshing. There’s no competition, there’s just enjoyment on all sides.”
Venus, who was introduced in season five and returned in season six, will also appear in the final ride’s 10th episode. As creator Kurt Sutter told EW, “We find out what’s been going down off-screen between Venus and Tig [Kim Coates]. It’ll be our love story for the season.”
Sons of Anarchy airs Tuesdays at 10 p.m. ET on FX.
The Blacklist returns Sept. 22 (10 p.m. ET on NBC), and as fans were informed in the teaser below, war is coming. Berlin (Peter Stormare), the Big Bad revealed in the season-one finale to be the reason Red (James Spader) turned himself into the FBI in the first place—because he couldn’t lure him out and fight him alone—will make it very personal very quickly, executive producer Jon Bokencamp says. “I told Peter we wanted the character to be dangerous and strange,” he says. “He’s constantly emailing back and forth with little questions, nuances, line changes, and ideas to make the character more specific, more grounded, and more fun.”
Season two picks up a few months after the season-one finale, and the task force members are living paranoid lives and feeling hunted. When Red gets a lead, they finally have a reason to get back together. Bokencamp is tight-lipped about his recurring guest stars—which will include Mary-Louise Parker, who is introduced in the premiere as a woman with a deep history with Red, and Paul Reubens, who’ll first appear in episode three as a dapper, finicky “muscle” who handles delicate situations in the criminal underworld. But talking with Spader (before that promo was released), EW got a few more insights into Red. READ FULL STORY
It doesn’t sound like Justified will go gently into that good night. The FX drama, which premieres its sixth and final season in January, has added Sam Elliott and Garret Dillahunt in recurring roles.
Per the network’s announcement, Elliott will play Markham, a legendary gangster who returns to Kentucky with a private army and plenty of cash, which he earned growing legal weed in Colorado. He wants to win back both his empire and his lost love, Katherine Hale (Mary Steenburgen). He’ll rub up against Deputy U.S. Marshal Raylan Givens (Timothy Olyphant), as well as Boyd (Walton Goggins), who seemed poised to re-enter the world of bank robbing with Hale and Wynn Duffy (Jere Burns) in season 5′s finale. Another wrinkle: Katherine secretly believes Markham is the rat who turned on her husband. READ FULL STORY
The 2002 film In America earned writer-director Jim Sheridan an Oscar nomination for his script, which he co-wrote with his daughters Naomi Sheridan and Kirsten Sheridan. The film was inspired by Sheridan’s own family. Now Sheridan will now be able to pull even more from his own experiences, as the film will be turned into a series at HBO.
Keegan-Michael Key and Jordan Peele have made a habit out of going big in the season premieres of Key & Peele—last season’s Les Miserables sketch being no exception. This year, it seems the comedy duo has decided to take on an alien apocalypse in the first episode.
When Agent Peggy Carter makes the transition to television this winter on both Agents of S.H.I.E.L.D. and Agent Carter, a few Howling Commandos and Strategic Scientific Reserve agents will join her. And with the latest addition to Agent Carter‘s cast, an important figure has been added that should tether the series even more firmly into the Marvel cinematic universe.
The lights are about to dim on the HBO’s The Newsroom. The drama, created by Aaron Sorkin (The West Wing) and focusing on fictional cable news channel ACN, begins its final season on Nov. 9, and will wrap up its story in a tight six episodes. “It was because of my schedule,” Sorkin says of the shortened season. “But, as it turned out, six was the right number. I don’t know what we would have done with a seventh episode.”
So what’s in these final hours? EW talked to Sorkin about weddings, power plays, and Twitter scandals.
EW: Will there be a time jump when the show premieres?
AARON SORKIN: We’re ahead about five months. However, once the season starts each episode begins right after the last one ended so there are no time jumps during the season. It’s a very compressed season. Once again, we’re telling one story throughout the whole season, there are stories that come off like branches, but there’s one story that we begin in the first episode and goes to the end.
Can you tease the main story?
Well, without giving too much away, it’s something that we’ve been talking about for the last 2 years: government and journalism. A lot of people feel like the current administration has been really tough on reporters and whistleblowers. I realize I’m not making it sound exciting but it involves one of our characters in a lot of jeopardy. Our people have a story that was given to them by a government whistleblower and the Justice Department wants the name of their source and they won’t give it up. So we see how far they’re willing to go for that.
Will the fallout from Jerry (Hamish Linklater) and Genoa play in?
It does a little bit. But the bigger thing that comes along is that we meet Reese’s father’s children by his next wife so we meet his half-brother and his half-sister is Kat Dennings. And they own a 45-percent share of the controlling stock in the company and that begins a story rolling of a hostile takeover of AWN.
Will (Jeff Daniels) proposed to Mac (Emily Mortimer) in the finale. Are they still engaged?
Again without giving too much away, I knew going into this season that they’re gonna have to get married. There’s gonna have to be a wedding. How do you do a wedding that we haven’t seen before on TV? And I think we came up with a way.
Is Maggie back on stable ground?
When we meet Maggie at the beginning of the season, she sort of has the eye of the tiger. She is trying to shed every rotten thing that’s happened to her in the last few years and toughen up and breathe new life into herself. She really completes that part of her character arc this season.
Is Jim (John Gallagher Jr.) still dating Hallie (Grace Gummer)?
Yeah Jim is still dating Hallie, but there’s tension in that relationship. Hallie is actually now working for ACN Digital at the beginning of the season. And mirroring something that happened at MSNBC a while back when someone tweeted a quip that was offensive to Republicans. It was a big deal—MSNBC had to apologize. They had to fire the producer who sent the tweet and everything. So something very similar happens to Hallie. She in the middle of the night, really tired, tweets something from ACN’s account, sort of immediately realizes what she’s done, deletes it but it’s too late. That begins a story that lasts the whole season, too.
How do you feel about this last season? Excited? Sad?
I’m really excited. I do feel it’s a really solid season. I think we’re wrapping up a lot of stories in a nice way. I miss everybody already but I’m in the editing room every day with the show so for me I don’t have postpartum depression yet. But that will come, I promise. On the other side of the wall from the editing room is our stage, so I can hear them pulling apart our set and throwing it in dumpsters, so that’s hard.
Did the show end how you thought it would? Did things evolve?
For most of the time, I didn’t know how the show was going to end. I would have small images of what I wanted to see. But the closer I got to the end of the season in terms of writing, the more I was able to see the end of the season finale. Once we got there, it happened more easily than I thought it was going to.
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