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Tag: Elisabeth Moss (1-5 of 5)

'Mad Men' teaser: Time for a 'Breakdown'? -- VIDEO

Not everything about Mad Men is retro in the latest teaser for the first part of season 7. The clip shows the Mad crew slo-moing through an airport in an era where air-travel still represented a certain amount of luxury — but the accompanying song comes from British soul singer Alice Russell, who hadn’t even been born when Don and Roger were still ogling stewardesses flight attendants. The song, “Let Go (Breakdown),” is hardly a year old. (Will it irk Matthew Weiner that Russell’s tune was already co-opted by The Blacklist? Yes. Yes it will.)

Still, “Let Go” does capture a certain vibe that suits AMC’s drama, and its cryptic lyrics evoke possible themes as the show enters a crucial season of change: “I’m familiar Jenny / Missed them signs / I bare my positions / Flip over time.”

Watch it below, and make of it what you will. READ FULL STORY

Elisabeth Moss on her 'Simpsons' guest spot -- and the final season of 'Mad Men'

Before Elisabeth Moss returns to Manhattan, she’s making a pit stop in Springfield: The actress who stars as Peggy Olson on Mad Men is lending her voice to Sunday’s episode of The Simpsons (Fox, Nov. 17, 8 p.m.). Moss will play a pregnant woman named Gretchen whose baby Homer winds up delivering in an elevator. (Spoiler: It’s not Pete’s.) But when she names the baby Homer Jr. to recognize his good deed, Homer gets a little too attached to the little tyke. EW asked this unabashed Simpsons fan all about her big guest spot — and tossed in few Mad Men questions as well.

ENTERTAINMENT WEEKLY: Is this your animated debut?
ELISABETH MOSS:
I have done a few things, but when I was really young. There was a Batman show. And I did a Hanna-Barbera film called Once Upon a Forest.

Was this something that you’d been hoping they’d ask you to do for awhile? How would you assess your level of Simpsons fandom?
I’m 31. It’s been on for 25 years. It’s been on for most of my life. It’s so a part of my world that I don’t remember a time when The Simpsons wasn’t on television. For my generation, it’s a huge part of our upbringing. It’s just a staple. [Being asked to guest-star] is not even something I would necessarily even dream of. Obviously that’s something you’d love to do but you think, “Oh, that’s really cool and important. Nobody’s ever going to ask you to do it.” I couldn’t have been more excited. You would have thought I had won an award or something. It really was such a honor, honestly, and it was one of those moments in your career, like being on Saturday Night Live and those things that aren’t technically a part of your day job that are such a stamp of approval, you know? It’s just one of those legendary things that I’ll be able to show to my kids. READ FULL STORY

Elisabeth Moss marvels at her Emmy 'double down': 'It sounds so crazy!'

Emmy nominations are nothing new for Elisabeth Moss. She’s been racking up nods for her role on Mad Men every year since 2009, once in the Supporting Actress category and thrice in the Lead Actress category — so today’s fifth citation can’t have been much of a surprise.

She was, however, pleasantly shocked to discover that she’ll also be competing for Lead Actress in a Miniseries or Movie alongside heavy hitters Jessica Lange, Laura Linney, Helen Mirren, and Sigourney Weaver. No wonder she calls her competitors “ridiculously intimidating” — Moss, cited for her work in the BBC Two/UKTV/Sundance miniseries Top of the Lake, is the only nominee in the category who hasn’t also been nominated for multiple Oscars.

“It sounds so crazy to hear you say that!” she said with a laugh after EW congratulated her for getting two nominations. Moss’ mother apparently reacted to her news in much the same way: “I called my mom and woke her up, and she promptly responded that she was going to jump out a window,” she said, “which I thought was an appropriate response. I talked her down from the ledge.”
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Emmy Watch: Elisabeth Moss has blood on her hands in 'Top of the Lake'

Between now and June 28, the deadline for Emmy voters to submit nomination ballots, EW.com will feature interviews with some of the actors and actresses whose names we hope to hear when nominations are announced on July 18.

Increasingly there’s the sense that Elisabeth Moss can do anything. After six seasons of playing such a marvelous character like Peggy Olson on Mad Men, some actresses would have a hard time ever sliding out of such a comfortable wheelhouse. But this spring Moss, 30, reinvented herself in Jane Campion’s dark and moody miniseries masterpiece Top of the Lake.

As detective Robin Griffin, driven wild to solve the mystery of a missing pregnant 12-year-old girl, Moss was a churning ball of opposing forces. She was brittle (“You can be very hard,” Robin’s mother warned her at one point, “and what I don’t like is, you think it’s strength.”) and vulnerable and deeply wounded and weary and magnificently capable and a total mess. She was at once the youngest and oldest person in the room. She seemed always dangerous of both cracking open and throwing down, a tricky combination she nailed in a blistering scene in episode 4 when she attacks her childhood rapist in a bar. She is magnificent, boiling with feeling, and it’s pleasure to talk about a performance outside of her Mad Men‘s walls that’s worthy of Emmy consideration. READ FULL STORY

'Mad Men' and feminism: A place for Peggy, Joan, and Megan in the movement?

It’s impossible to talk about the women of Mad Men without talking about feminism. But now that we can finally discuss when season 6 picks up (the wee hours of 1968), we can also address what our working heroines think of their position in the burgeoning movement.

Peggy Olson (Elisabeth Moss) and Joan Harris (Christina Hendricks) are both in very different positions now then they were when we first met their characters five seasons ago (or eight years by Mad Men‘s timeline). Both women have made significant professional strides while suffering consistent humiliations at the hands of their male colleagues and superiors. If the beginning of season 6 is any indication, we should expect to see more of both Peggy and Joan as they try to conquer their new positions — Peggy in a more senior role at a new agency, Joan as a Partner with Sterling Cooper Draper Pryce. Though both might seem emblematic of a larger movement, it’s unlikely that it was rooted in any sort of feminist consciousness. When EW spoke to Hendricks and Moss, both were hesitant to categorize their characters as feminists.

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