With Wynn Duffy planning to let Johnny kill Boyd after Boyd delivers Drew Thompson, and Ava not yet knowing that Ellen May is alive and well and with someone who wants her to share the secrets that could take Ava and Boyd down, things aren’t looking good for our favorite Justified couple. But tonight’s episode (FX, 10 p.m. ET) may offer a bit of hope. “If people are a fan of this relationship, they don’t want to miss it,” Joelle Carter says. “You start to take this ride with Ava and Boyd, and you get a little nugget of gold in this episode, and you see that maybe they may actually make it and have this existence that they want. And then,” she continues, looking ahead with a laugh, “it all gets all bad.” READ FULL STORY
Tag: Justified (40-52 of 104)
You recently had a brief chance to hang out with Nick’s dad (Dennis Farina) before he slipped out the door. Now you’re about to meet a few more members of the Miller family, including his mother, who will be played by Margo Martindale of Justified fame, EW has learned. READ FULL STORY
Spoiler alert! If you haven’t seen this week’s episode of Justified, “Kin,” written by Fred Golan and VJ Boyd and directed by Peter Werner, stop reading now. Raylan (Timothy Olyphant) and Boyd (Walton Goggins) came face-to-face for the first time this season in the hills while on the hunt for Drew Thompson, Theo Tonin’s associate Nick Augustine (Mike O’Malley) made his debut, and we learned that it’s Shelby (Jim Beaver) who’s hoping to use Ellen May (Abby Miller) to bring down Boyd. As he’ll do throughout the season, showrunner Graham Yost takes us inside the writers room. READ FULL STORY
SPOILER ALERT! In this week’s emotional episode of Justified, “This Bird Has Flown,” written by Taylor Elmore and directed by Bill Johnson, Raylan (Timothy Olyphant) found Lindsey (Jenn Lyon) and Randall (Robert Baker), and Colton (Ron Eldard) lost Ellen May (Abby Miller) after Ava (Joelle Carter) and Boyd (Walton Goggins) gave the order for her to be killed. As he’ll do throughout the season, showrunner Graham Yost takes us inside the writers room.
SPOILER ALERT! In this week’s episode of Justified, “Truth and Consequences,” written by Benjamin Cavell and directed by Jon Avnet, Raylan’s underwear drawer got robbed and Boyd’s latest visit to Preacher Billy’s Last Chance Holiness Church came to a tragic end. As he’ll do throughout the season, showrunner Graham Yost takes us inside the writers room. (Read our recap here.) READ FULL STORY
SPOILER ALERT! In this week’s episode of Justified, “Where’s Waldo?”, written by Dave Andron and directed by Bill Johnson, the bag mystery deepened as Art (Nick Searcy) suited up with Raylan (Timothy Olyphant) and Tim (Jacob Pitts) to meet Waldo Truth’s family and learned they’re really looking for a pilot named Drew Thompson. And Boyd (Walton Goggins) paid Preacher Billy (Joe Mazzello) a visit and made Wynn Duffy (Jere Burns) a business proposition that he politely/violently refused. As he’ll do throughout the season, showrunner Graham Yost takes us inside the writers room. Read our full recap of the episode here.
ENTERTAINMENT WEEKLY: Let’s start with Art. U.S. Marshals have mandatory retirement at age 57, and Art, we learned, just turned 56.
GRAHAM YOST: It just gives us another color to play with Nick and the character. We’re trying to stay at least reality adjacent. A chief deputy can retire, and they have to retire at a certain point, but then the Marshals service can always ask them, “Hey, do you want to come back? Because we’ve got an opening in Tucson and we’d love for you to fill in for a year.” It’s not like they’re suddenly out on the street working in private security. They often stay related to the Marshals service. But anyway, in our world — I think we’ve discussed this before — we’re now in our fourth season and the whole timeline of the Justified story really has taken place over maybe six months, or at most a year. So, in other words, don’t think that we’re going to be having a retirement party for Art Mullen anytime soon, but at least it’s on the table. READ FULL STORY
SPOILER ALERT! FX’s Justified has returned, and with it, our weekly postmortems with showrunner Graham Yost, who’ll once again take us inside the writers room. He penned the season 4 premiere, “Hole in the Wall,” which introduced a season-long mystery somehow involving Arlo (Raymond J. Barry); Patton Oswalt’s recurring character, Constable Bob Sweeney, who proved a help to Raylan (Timothy Olyphant); and a snake-handling preacher (Joe Mazzello), who’s already hurting Boyd’s (Walton Goggins) revenue. Bonus: it also included a reference to Yost’s Speed screenplay (did you catch it?).
ENTERTAINMENT WEEKLY: We’ve talked before about you not wanting to repeat yourself by giving this season one big bad guy, which is why you opted for one big mystery instead. But what’s the inspiration for this particular mystery?
GRAHAM YOST: There is a thing nicknamed the Bluegrass Conspiracy. It did involve a guy who plummeted to his death in a streamer parachute with a lot of cocaine on him, and that was in the South. He landed in Tennessee. His name was Drew Thornton, a Lexington kid who was a lawyer and a cop and got in bad with drugs. It happened in 1985. READ FULL STORY
Justified returns (FX, 10 p.m. ET) tonight, and unlike in year’s past, when the season-long arc was Marshal Raylan Givens (Timothy Olyphant) chasing one formidable bad guy, season 4 revolves around one formidable mystery. As the premiere opens, we flash back 30 years ago, to a man falling from the sky with a parachute and a bag of cocaine. The story behind that is something Raylan’s incarcerated father, Arlo (Raymond J. Barry), could help unravel. ”Arlo’s confronted with that and does something in the first episode that we hope is shocking,” exec producer Graham Yost says, ”and that’s part of what sets the whole mystery in motion.”
What else can you expect from season 4? Here, Yost offers more teases.
• The season is divided into three parts. Raylan and Boyd (Walton Goggins) will be too busy with their own arcs to see each other until the fifth episode. In the premiere, Raylan begins moonlighting as a bounty hunter. “He’s trying to bank a little cash in anticipation of his child being born. He’s sort of afraid that Winona might not grant him visitation if he’s living above a bar, so maybe he should grow up a little bit and get a real place,” Yost says. “But of course, the only way he can think of to make extra money is to do things that are not allowed by the Marshals service, like tracking down an out-of-state bail jumper. One of the interesting things about Kentucky is there are no bounty hunters allowed. So, into that vacuum Raylan steps in the first episode to get a guy — and without giving it away, there will be a ripple effect from that later on in the season.” That story line also intersects with the introduction of Patton Oswalt’s recurring character, Constable Bob Sweeney, who Raylan has hired to watch Arlo’s house. Oswalt filled us in on him here. READ FULL STORY
Justified returns for a fourth season on Jan. 8 (look for scoop in EW’s Winter TV preview issue on newsstands Dec. 31), and if Ken Tucker naming the FX drama one of his Top 10 shows of 2012 isn’t enough ammunition for you to convince friends and family to tune in and make this show as popular as Sons of Anarchy, perhaps the two exclusive clips below from the season 3 Blu-ray and DVD, out Dec. 31, will do the trick. In the first, executive producers Graham Yost and Fred Golan, along with a gleeful, blood-splattered Neal McDonough, talk about season 3′s big bad, Quarles — and the famous fan, Mel Brooks, who agreed the show was due for an out-of-town villain.
We’re just over a month away from the Jan. 8 return of FX’s Justified, and the minute-long promo below offers a few nice teases. Yes, Raylan, there could be some gunplay involved. READ FULL STORY
Whether TV’s feistiest figures were slapping each other down with words or fists, there was plenty of strife to go around this year. Below, we reminisce fondly over all the boob slapping, bare knuckle boxing, Bachelorette beatdowns, and more. READ FULL STORY
Throughout season 3 of FX’s Justified, EW.com did weekly postmortems with showrunner Graham Yost, who took us inside the writers room and gave us the stories behind the show’s best moments — of which the season finale, “Slaughterhouse,” had many. After Limehouse (Mykelti Williamson) chopped off Quarles’ (Neal McDonough) rail-gun toting arm, Quarles told Raylan (Timothy Olyphant) that it was his father, Arlo (Raymond J. Barry), who’d shot and killed “the man in a hat” who’d been pointing a gun at Boyd Crowder (Walton Goggins). For all Arlo knew, he could have been firing at Raylan. Here, in excerpts from interviews originally posted after the season ender and during Emmy season, we find out how those twists and others came about. For more stories behind this year’s top TV and movie moments, click here for EW.com’s Best of 2012: Behind the Scenes coverage.
ENTERTAINMENT WEEKLY: So Arlo didn’t know who he was shooting at.
Graham Yost: He did not know. That “man in a hat” thing was something that came up while we were working on the break, the writing, and the outlining of the last episode. In the credits, I wrote the story and [exec producer Fred Golan] wrote the script. But Fred being Fred, if he was jammed, he would say, “Why don’t you take a run at this scene?” And I just threw in the “man in a hat” thing. That was something that he loved and Tim picked up on, and it just became the anchor for the final beat of the season.
We’ve talked before about how Tim doesn’t want Raylan to use his gun — like you, he prefers more creative violence — so that double gun scene with Limehouse, and the earlier “Harlan Roulette” scene with Wynn Duffy (Jere Burns), are the best of both worlds: We get to see him wield a weapon but not actually shoot anyone. I loved the return of Harlan Roulette from earlier in the season.
That was a late change. We knew there was gonna be a big Raylan-Wynn Duffy scene, and we knew that it was gonna get weird and violent. I can’t remember the various iterations of it, but when we hit on that, I think maybe Fred had asked [co-executive producer] Dave Andron to take a run at the scene and Dave had written [the episode] “Harlan Roulette.” We just thought that would be a cool way to go. It’s that little dance we try to do, which is to set up a certain expectation in the audience’s mind and then hopefully deliver it in a way that’s unexpected. Like we felt that from the beginning of the season, people would expect Raylan to have a showdown with Quarles where Raylan would shoot him. And then we thought, well maybe there’s a different way to go. Can we accomplish the same end, which is neutralizing Quarles, in a way that’s a little more arresting and interesting and…gruesome, frankly. I’ve told you in weeks past, the first time we saw the slaughterhouse set and the knives and cleavers, we just had a feeling that at some point, those tools had to be used in anger. And it was also a feeling that maybe the final big confrontation needed to happen there. It’s such a scary weird place.
I loved how Quarles reached up for his severed arm, and Raylan pulled it away.
When Fred first wrote that, the arm just got chopped off and fell to the floor. Quarles was on the floor, reaches for it, and Raylan just puts his foot on it. Which is also cool. We went back and forth: Is Raylan gonna chop off the arm? Is Limehouse gonna get shot? Various things were working into the mix, and they just figured it out on set. The biggest bone of contention was when Quarles would tell Raylan that it was his father who shot Bergen. We went back and forth on that, too. Some people were pushing for him to say it before the arm chop, as we called it. My feeling was that it’s such important information, it would get so overshadowed by the arm chop that it would undercut it. I felt that the character moment was more important, so it needed to come late. Finally, when Fred was talking to Neal about it, Neal was like, “You know, I’m gonna be bleeding out on the floor,” and Fred said, “It’s like Messala in Ben-Hur when he’s been trampled to death essentially by horse after horse and chariot after chariot, and Ben-Hur has won the big race and Messala has been vanquished and as he’s dying. He screws with Ben-Hur one last time and says, ‘Your mother and sister are still alive. They’re in a leper colony.’” When Neal heard that, he said, “I got it.” He’s just screwing with Raylan one last time.
I assume from the blood pool, Quarles is dead.
Steven Heth, our post-producer, really rode that one right to the end: What’s the pool of blood gonna look like? How dark? Well, he may not be dead. Our feeling was that you could slap a tourniquet on that and probably stop him from bleeding out. But certainly as a presence in the show [he's gone]. Although, if he were to kill Winona but frame Raylan, and Raylan had to clear his name and he was after a one-armed man… no, wait a second. That’s season 11, when we get desperate.
An equally cool move: How did the idea for Limehouse keeping his money in a pig carcass come about?
Some of it was just practical. We needed the money to be on site. We didn’t want them to go anywhere else. Someone had heard stories about people storing stuff in frozen meat. At one point, it was gonna be frozen. No, that’s too difficult. We could have had it under the floorboards, but it was a cooler scene to have that. And now I know what you’re gonna ask about, and I don’t know. I don’t know whose idea “piggy bank” was. It wasn’t scripted. It was a set line.
That last scene: Raylan tells Winona that his father Arlo just saw a man in a hat and shot him, not knowing who it was, then puts his hat on and walks out. The look on Tim’s face…
That’s just Tim. You could walk through that whole episode, every scene he does something interesting. And it always feels grounded and real in this weird Elmore Leonard world that we have going. I mentioned the scene with Wynn Duffy, the scene with Limehouse when Raylan’s on a vengeance-fueled drive and pulls his gun and all these other guns are on him and he just gives up. Just scene after scene. The little bits with him and Arlo, with him and Boyd [Walton Goggins]. I never want to take it for granted or just expect it, but I gotta say, working on the show, it’s so much fun to see the cuts. It’s so much fun to see the cuts and go, “Well, that’s as good as you could ask for.” There is an actor who fully understands his part and enjoys it. He gets a kick out of playing Raylan Givens, and it shows.
One of my favorite parts of our weekly postmortems was hearing how much the cast, particularly Tim (who’s also a producer on the show), contributes lines and other ideas.
We’re really lucky because everyone’s pulling in the same direction. We’re not all going, “No, the show should be more this or more that.” Everyone gets the drill: It’s Elmore Leonard, and that’s why we’re here — to do that peculiar dark, funny, exciting thing that Elmore does. In our best weeks we come close, I don’t think we ever surpass. But that’s our great gift, that we’re all going the same way. It just wouldn’t work if it was anything other than that.
Give me two examples of that in the finale.
At one point, we thought of wrapping up Quarles at the end of the second to last episode and having it more of a Raylan vs. Arlo finale, but it was Tim who said, “Once we dispatch Quarles, then the air goes out of the balloon.” He was right. We restructured it. Let’s just make going after Arlo the last act of the last episode. And the thing about Raylan returning the gun used to kill Gary to Quarles: That would surface in a script and then go away, surface and go away. There was actually a point where we thought, Well, we’re just not gonna address it. I’m pretty sure again it was Tim who came up with the idea: What if he has Quarles take both guns off him but only ask for one back? As he says, “You can keep that one.” That was just a nice way to wrap it up.
, but is not, which I think most men can relate to,” Oswalt tells EW. The former high school classmates reconnect when Raylan asks Bob to check in on Arlo’s house and make sure it doesn’t get trashed. Oswalt is tight-lipped about the character, who will return later in the season, but offers two teases: “He thinks he has a dark, mysterious, messed-up past, but there’s hints that everybody already knows about it and doesn’t care,” he says. And, “I do get to do stuff that’s a combination of, like, super funny and super violent… I’ll leave it at that.” READ FULL STORY
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