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'Mork and Mindy' star Pam Dawber to reunite with Robin Williams on 'The Crazy Ones'

It’s been 32 years since sitcom Mork and Mindy ended and as a result, Pam Dawber and Robin Williams stopped gracing our television screens together. But now, the two are pairing up for a reunion on CBS comedy The Crazy Ones later this season.

“It will be a joy to work with her again,” Williams said in a statement. “It’s a dream come true.” In the episode, Williams’ Simon Roberts will go on a date with an eccentric author, played by Dawber. “I’m so excited to be able to see and work with Robin again,” Dawber said.

CBS' Fall Schedule: A Snap Judgment

Who says CBS doesn’t make bold programming moves? Oh, that’s right: Everyone. But everyone would be slightly wrong! At yesterday’s upfront presentation, the nation’s most-watched — if least-interesting — broadcast television network surprised reporters by revealing that it was not green-lighting two high-profile potential series: A small screen revival of Beverly Hills Cop from executive producer Shawn Ryan (The Shield) starring Brandon T. Jackson as the son of Axel Foley and a recurring Eddie Murphy; and NCIS: Red, starring John Corbett and Kim Raver. Beverly Hills Cop might find a home elsewhere, while NCIS: Red was deemed unworthy of the franchise’s creative standards. (Why are you giggling?)

CBS also made news with some bold scheduling swaps and shifts. Mike & Molly is being held for midseason (but received a full order of 22 episodes); Hawaii 5-0 is sailing to Friday; and Person of Interest is relocating to Tuesday, joining NCIS and NCIS: Los Angeles to form a blockbuster night of brawny drama. Thursday now has two hours of comedy, a mirror to its Monday night block of powerhouse yukkers. With few holes to fill and (quoting network president Nina Tassler) “limited shelf space,” CBS ordered just eight new shows, five of which will premiere this fall. Here, CBS was true to form: All have potential to be watched by a broad audience, and very few seem all that creatively daring. To be fair, it’s hard to glean meaningful insight from the preview videos released by the network, comprised of select scenes, behind the scenes footage, and rah-rah interviews with actors and producers. And while CBS may not have leveraged its position of great strength to take a chance on innovation, I found something commendable about each of its new offerings. READ FULL STORY

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