Tag: The CW (1-10 of 17)

May 16 2013 04:26 PM ET

The CW's Fall Schedule: A Snap Judgment

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You know the space at your local Barnes and Noble where the graphic-novel section bleeds into the young-adult section? This is the place where The CW lives. I like to imagine that the network has installed surveillance cameras in the spines of all those unsellable copies of Chris Ware’s Building Stories so its execs can spy on their target audience, see what their buying, and develop accordingly. The geeky, young, female-skewing weblet announced today that it will add three new dramas and reorganize its schedule to use existing successful franchises like Arrow and Supernatural to build hits and stronger nights.

The CW knows its brand and knows its audience and is committed to giving them more of what they like. Hence, despite lots of attitude, fresh faces, and cosmetic weirdness, The CW’s picks feel as risk-averse and unsurprising as those of its half-sibling, CBS. While the new shows technically belong to different genres, there is such a sameness to all of them. It’s like every show on The CW is actually a different subplot of the same swoony-romantic dark-fantasy soap opera that’s on every night, every hour — a sigh-fi Cloud Atlas. Which sounds kinda cool, actually.

THE ORIGINALS

A spin-off of The Vampire Diaries, The Originals follows bloodsucker/werewolf hybrid Klaus (Joseph Morgan) as he moves from Mystic Falls to New Orleans, where underworld power games — and a not-yet born child, conceived with Hayley (Phoebe Tonkin) — await. Joining him are siblings Elijah (Claire Gillies) and Rebekah (Claire Holt). For the record, I have never seen an episode of True Blood Lite The Vampire Diaries. I am open to considering the possibility that I’ve been missing out on something decent: Morgan’s Klaus seems pretty damn compelling in this clip.

THE TOMORROW PEOPLE

From Greg Berlanti, who developed Arrow for the network, comes another superheroish epic starring an Amell (Robbie, cousin to Stephen), this one loosely based on a cult-classic British show from the 1970s. (Dig the trippy credits sequence.) The more likely comparison for The CW’s target audience will be to X-Men, Heroes, I Am Number Four, etc.: Kids everywhere start developing extraordinary abilities; various secret agencies, sinister or otherwise, take an obsessive interest in them. I am hoping the show can be as cool as its title and offbeat/imaginative as the original from whence it derived, and not just Generic Show About Super-Powered PYTs. The clip suggests a healthy special-effects budget and that Mark Pellegrino will be a compelling bad guy. I’m not sure it suggests much more than that.

 REIGN

Talented up-and-comer Adelaide Kane plays Mary, Queen of Scots in The CW’s most unusual new offering, an attempt at historical fiction. Call it: Tiny Tudors. The clip kinda lays there until the dude with the beard gets all spooky-intense. Meh.

THE 100 (midseason)

Newsflash! In the near future, we’re going to raze civilization with nuclear weapons, and about 100 years after that, the surviving members of humanity — living on space stations parked in deep space — will send about 100 juvenile delinquents, young adults and assorted others back to Earth to see it can be recolonized. The clip tries to capture your imagination with that moment in which the kids land, open the doors, and behold a planet that has been reclaimed by nature. But can they trust what looks like paradise? Dunno. Just like I don’t know if I can trust this new gloss on the post-apocalyptic genre to be any good.

STAR-CROSSED (midseason)

An alien race known as the Atrians comes to Earth and spends the next decade interned in a camp. A smalltown high school becomes ground zero for a fraught attempt to integrate the ETs into human society. All of them are extremely attractive young people with interesting looking tattoos on their faces. Naturally, they are irrationally, ridiculously hated. But a Romeo and Juliet-style romance between an Atrian named Roman (Matt Lanter) and a human named Emery (Aimee Teegarden) blooms. Blah blah highly metaphorical cornball blah blah blah. Watch it work. Only on Sigh-Fi!

Twitter: @EWDocJensen

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May 16 2013 03:17 PM ET

'Arrow' finale post-mortem: Marc Guggenheim talks about the explosive (and deadly!) fall-out

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Image Credit: Diyah Pera/The CW

SPOILER ALERT: THIS POST CONTAINS PLOT DETAILS FROM THE SEASON FINALE OF ARROW

So that’s what they meant by epic. Arrow‘s first season finale, “Sacrifice,” delivered on several of the cryptic teases dropped by the show’s creative team and cast over the last few weeks, including a giant explosion, a giant earthquake, and a genuinely affecting death. We got Arrow EP Marc Guggenheim, who developed the show with Andrew Kreisberg and Greg Berlanti, on the phone to talk about next season and the fall-out from the death and destruction.

READ FULL STORY »

Feb 11 2013 03:00 PM ET

Joey McIntyre talks '90210' role, possible NKOTB reunion on 'Blue Bloods'

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Image Credit: Scott Humbert/The CW

Joey McIntyre has portrayed an inner city English teacher on Boston Public, a police officer on Psych, and a shady gunshot victim on CSI: NY, but for his guest role on tonight’s 90210, the New Kids on the Block triple threat has chosen a role that hits a little closer to home. He plays Rand Gunn, a music manager called in to help Dixon (Tristan Wilds). “He’s kind of a guy that comes in to save the day,” says McIntyre. READ FULL STORY »

Dec 20 2012 08:36 PM ET

'The L.A. Complex' won't return to The CW

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Image Credit: Stephen Scott/Courtesy of Epitome Pictures Inc.

If you were holding your breath hoping that someone would swoop in to save The L.A. Complex from extinction, you can stop. EW confirmed Thursday that The CW is not renewing the troubled show. The news was first reported by The Hollywood Reporter.

Fans of the show might see this news as bittersweet irony. Things didn’t ever go particularly well for any of the characters, in fact, they generally just got worse. Or they might just be upset that they’ll never find out what happens to Connor Lake and Kaldrick King. This show knew how to use a cliffhanger, and there were quite a few in the season 2 finale — which was never intended to be a series finale.

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Oct 16 2012 08:59 PM ET

'America's Next Top Model' renewed for 20th cycle, to feature male models

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Image Credit: Patrick Wymore/The CW

The CW has renewed America’s Next Top Model for its 20th cycle since debuting in 2003. With the new cycle comes two big changes for the competition show: This time it will premiere in summer 2013 instead of the typical early fall or late winter start. And the show will feature male models for the first time.

The male models will live in the models’ house along with the female models, and all will compete for the title of America’s Next Top Model. No word from the CW yet about exactly how this affects the competition and its rules.

America’s Next Top Model is currently in the midst of its 19th cycle, College Edition.

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Oct 5 2012 06:01 AM ET

This season broadcast networks feature most gay characters in TV history, says GLAAD report

HAPPY-ENDINGS

Image Credit: Carin Baer

After a decrease last year, the number of LGBT characters on the five broadcast networks has risen to the highest ever recorded, according to the “Where We Are on TV” report released today by the Gay and Lesbian Alliance Against Defamation. The report released today lauded the cable networks for also increasing their overall LGBT character count this year, too.

Which networks are the most inclusive? After Fox lead the broadcast networks last year, ABC — with shows like comedy Happy Endings (above) featuring gay characters — has been named as the most gay-friendly network, with 10 of 194 (5.2 percent) regular characters identifying as LGBT. Over on cable, last year’s victor HBO was dethroned by Showtime, which this year had 12 LGBT characters, seven of which are series regulars on shows like Shameless and Weeds.

“This year’s increase of LGBT characters on television reflects a cultural change in the way gay and lesbian people are seen in our society,” says GLAAD President Herndon Graddick. “More and more Americans have come to accept their LGBT family members, friends, coworkers, and peers, and as audiences tune into their favorite programs, they expect to see the same diversity of people they encounter in their daily lives.”

The report — which studied 97 broadcast shows, as well as cable offerings — also delivered a slew of other facts and figures. EW has pulled out the most fascinating tidbits for you here:

• LGBT characters account for 4.4 percent of scripted series regulars on the broadcast networks in 2012-13. This is up from 2.9 percent in 2011, 3.9 percent in 2009, 2.6 percent in 2008, and 1.1 percent in 2007.

• There are a total of 31 LGBT characters on the five broadcast networks, as well as 19 recurring characters.

• ABC leads the broadcast networks with 10 of 194 characters (5.2 percent). Fox is in second with six of 118 (5.1 percent), followed by The CW with four of 81 (4.9 percent), NBC with seven of 166 (4.2 percent), and CBS with four of 142 (2.8 percent). The report singles out CBS’ “authentic and conscious effort” to increase diversity, as it is up from 0.7 percent LGBT characters last season.

• Regular LGBT characters on scripted cable television also rose this year to 35 (up from 29) for the 2012-13 season.

• Showtime leads the cable pack, with 12 total characters, seven of whom are regulars. The runners up include: HBO (9 characters), FX (8), Adult Swim (5), and ABC Family, MTV, Syfy, and TeenNick (4 each).

• As it was in 2010 and 2011, HBO’s True Blood is the most inclusive show on cable television with six gay, lesbian, or bisexual characters.

• GLAAD also analyzed the race/ethnicity and gender demographics of all 701 series regular characters in primetime television. There are more males (55.5 percent) to females (44.5 percent), and 78 percent of all series regulars are white. Compared to last year, African American representation has increased from 9.9 percent to 12 percent, followed by Latino (4.1 percent) and Asian-Pacific Islander (4.7 percent).

• Of the 31 announced LGBT regular characters in the 2012-13 season, 11 are people of color (35.5 percent). GLAAD counted seven regular or recurring black LGBT characters on broadcast television, up from zero last year.

• Lastly, GLAAD counted people with disabilities, of which there are four (0.6 percent) regular characters on broadcast television.

The full “Where We Are on TV” report can be viewed on the GLAAD website.

Tanner on Twitter: @EWTanStransky

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Sep 26 2012 04:35 PM ET
Sep 18 2012 09:39 AM ET

New 'Arrow' sneak peek: He shoots, he scores! -- VIDEO

Green Arrow or gritty, urban Robin Hood? The line looks a little blurry in the following sneak peek of The CW’s Arrow, the story of rich playboy turned crusading vigilante Oliver Queen. In this clip from the series’ pilot, Queen’s super alter ego heads to a dark parking garage, where he persuades a certain bad guy to help Starling City… or else. Hint: The henchmen don’t exactly make it out unscathed.

The video is a good indication of the show’s darker-than-Smallville tone, as well as its “rage of the 99 percent” ethos. As co-creator Marc Guggenheim told reporters at Comic-Con this year, Oliver is targeting “the wealthy and corrupt. There’s some echos of the 1 percent and Occupy Wall Street …  he’s a man of the people and taking it back for the little guy.” Give it a shot, won’t you?

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Aug 15 2012 06:09 PM ET

Creator of extreme musical chairs show explains himself: 'No one should take it seriously'

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Image Credit: Greg Gayne/The CW

Phil Gurin, creator and executive producer of The CW’s Oh Sit!, knows there’s something inherently goofy about a game show that revolves around an extreme game of Musical Chairs. But according to him, that’s kind of the point: “We absolutely don’t take the show seriously. Nobody should,” Gurin explained in an interview this afternoon. “It’s meant to be pure fun.”

And Oh Sit! is fun, in an over-the-top, Wipeout meets Guts meets an elementary school classroom sort of way. (Its resemblance to classic Nickelodeon game shows is no accident; Gurin once worked as a writer on both Double Dare and Wild and Crazy Kids.) The rules are fairly straightforward: Music plays as contestants navigate a circular obstacle course, nabbing cash each time they pass one of several green lines. When the live band stops playing, players must scramble for a seat on “chair island,” which stands in the middle of the arena.

Gurin and his team were careful not to let their creation get too complicated. “The most successful game shows of all time are always the simplest,” he said. “Listen, Wheel of Fortune is Hangman. Hollywood Squares was Tic-tac-toe.” By riffing on a childhood classic, Oh Sit! engages a similar strategy: “There is not one country where they don’t play musical chairs,” Gurin declared.

And like its competitive cousins, Oh Sit! isn’t afraid to embrace its silly side.  READ FULL STORY »

Jul 27 2012 01:36 PM ET

The CW in talks to develop cult film fav ‘Battle Royale’ into TV series

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Image Credit: Everett Collection

Kids killing kids doesn’t exactly scream ‘prime time hit.’

Or, at least, it didn’t before the crazy success of The Hunger Games (final domestic box office: over 405 million dollars). Now fights to the death seem as profitable as shows about vampires.  The CW is reportedly developing a show based on the cult Japanese movie Battle Royale. EW has confirmed that The CW has “inquired about the rights.”

For the uninitiated, Battle Royale is a 2000 film about a group of Japanese school children. The group is rounded up and moved to an island where, much like The Hunger Games, on the government’s orders they must kill each other until one remains. Needless to say, it’s a blood bath.

The L.A. Times points out that a sticking point in the deal might be the approval of original novel author Koushun Takami, who, according to Japanese law, must sign off on the deal.

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Jun 28 2012 08:13 PM ET

'Breaking Pointe': Allison DeBona on harsh criticism and the moment people have been waiting for

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Image Credit: Erik Ostling/The CW

On CW’s Breaking Pointe, Allison DeBona and her fellow dancers at Ballet West have spent the last four episodes prepping to hit the stage for a big show, a journey that starts to wind down tonight in the reality show’s penultimate episode.

But the DeBona’s journey to performance night has been a rocky one, and, as viewers saw last week, one that hasn’t always shown her during at her best moments. In fact, on the advice of friends and family, the dancer didn’t watch the last episode, which showed her fraying at the edges during a high-pressure dress rehearsal. “[They] told me it was tough, and I remember those moment clear as the day because they were tough to go through the first time,” she says. “I can say that’s the first time as a professional ballet dancer that I’ve ever felt insecure on stage.”

Between her challenges last week and her season-long complicated relationship with fellow dancer Rex (which, on screen, has painted him as the hopeless romantic and her as hesitant) DeBona has found herself on the receiving end of some harsh words from fans. And it’s been “a little tough to get used to.” “Hearing a lot of negativity coming your way, it affects you,” she admits. “But I have so much support from my friends my family and my boss. It’s been tough, but I’m learning a lot about myself.”

DeBona is hopeful that the last two episodes, one of which introduces her family and tells a little more of her personal backstory, help clear up a few of the misconceptions that have been made about her. But above all, she hopes the performance highlights the dedication the dancers have — even in the face of personal obstacles. “You’re going to see us on stage, which is what people were waiting for this entire time,” she said. “You’ll see why we put so much time and effort into what we’re doing. When you become a professional dancer, you need to remember why you do this. You do it because you love it…And you have to make sure people are going to enjoy it enough to come back.”

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Jun 27 2012 11:05 AM ET

'The Next: Fame Is At Your Doorstep' trailer: Celebrities invade your personal space

The celeb mentors on CW’s upcoming answer to the singing competition genre have no boundaries! And that’s sort of the point.

On the network’s unfortunately titled The Next: Fame Is At Your Doorstep, Joe Jonas (who recently went looking for a date on Fox), Gloria Estefan, Nelly, and country star John Rich immerse themselves in contestants’ lives for a hands-on mentoring experience.

The series, produced by Dave Broome and Queen Latifah, premieres Aug. 16. Click below to see the exclusive first trailer for the show, which features Estefan What Not to Wear-ing some girl’s closet. READ FULL STORY »

Jun 7 2012 12:18 PM ET

'Arrow' promo: Meet the human weapon -- VIDEO

Oliver Queen (Stephen Amell) went to an island. Oliver Queen stayed on that island. Who emerged instead? His lethal archer alter ego, Arrow. In a new, extended trailer for The CW’s forthcoming Arrow, the hero grapples with his changed inner self that’s unknown to those around him. He also kicks a lot of butt and shoots the bounce right out of some tennis balls. Watch Oliver become a “human weapon” below. READ FULL STORY »

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