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Elisabeth Moss marvels at her Emmy 'double down': 'It sounds so crazy!'

Emmy nominations are nothing new for Elisabeth Moss. She’s been racking up nods for her role on Mad Men every year since 2009, once in the Supporting Actress category and thrice in the Lead Actress category — so today’s fifth citation can’t have been much of a surprise.

She was, however, pleasantly shocked to discover that she’ll also be competing for Lead Actress in a Miniseries or Movie alongside heavy hitters Jessica Lange, Laura Linney, Helen Mirren, and Sigourney Weaver. No wonder she calls her competitors “ridiculously intimidating” — Moss, cited for her work in the BBC Two/UKTV/Sundance miniseries Top of the Lake, is the only nominee in the category who hasn’t also been nominated for multiple Oscars.

“It sounds so crazy to hear you say that!” she said with a laugh after EW congratulated her for getting two nominations. Moss’ mother apparently reacted to her news in much the same way: “I called my mom and woke her up, and she promptly responded that she was going to jump out a window,” she said, “which I thought was an appropriate response. I talked her down from the ledge.”
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Emmy Watch: Elisabeth Moss has blood on her hands in 'Top of the Lake'

Between now and June 28, the deadline for Emmy voters to submit nomination ballots, EW.com will feature interviews with some of the actors and actresses whose names we hope to hear when nominations are announced on July 18.

Increasingly there’s the sense that Elisabeth Moss can do anything. After six seasons of playing such a marvelous character like Peggy Olson on Mad Men, some actresses would have a hard time ever sliding out of such a comfortable wheelhouse. But this spring Moss, 30, reinvented herself in Jane Campion’s dark and moody miniseries masterpiece Top of the Lake.

As detective Robin Griffin, driven wild to solve the mystery of a missing pregnant 12-year-old girl, Moss was a churning ball of opposing forces. She was brittle (“You can be very hard,” Robin’s mother warned her at one point, “and what I don’t like is, you think it’s strength.”) and vulnerable and deeply wounded and weary and magnificently capable and a total mess. She was at once the youngest and oldest person in the room. She seemed always dangerous of both cracking open and throwing down, a tricky combination she nailed in a blistering scene in episode 4 when she attacks her childhood rapist in a bar. She is magnificent, boiling with feeling, and it’s pleasure to talk about a performance outside of her Mad Men‘s walls that’s worthy of Emmy consideration. READ FULL STORY

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